300 Review

View our special 300 feature!

"300" reviews

Movie

300

Author

anonymous

Date reviewed

2007-09-04 23:50:50

Rating

3.5/5

Provider

CinemaSource

Review

Merging cutting-edge cinematic razzle dazzle with resonant themes of honor, courage and sacrifice, 300 builds yet another visually thrilling and viscerally satisfying film.

Story

Built from comic book auteur Frank Miller's (Sin City) rock solid foundations, 300 is based on his vision on the 1962 film The 300 Spartans filtered through the same tough-as-nails pulp sensibility that populates most of his comics work. Leaving such leaden wannabe sword-and-sandal epics like Troy and Alexander in the historical dust, 300 reworks the real-life legendary tale of the Battle of Thermopylae, in which a battalion of 300 elite Spartan soldiers heroically hold the line to protect ancient Greece from the invading Persian hordes. The story focuses on the Spartan King Leonidas (Gerard Butler), who must not only lead his small cadre of troops--each one honored since childhood into a razor-sharp, battle-relishing warrior—into a battle they are unlikely to survive, but he must also fight for the fate of Greece and its democratic ideals. As the bizarre, seemingly endless marauding legions of the tyrant Xerxes (Rodrigo Santoro) descend upon the Hot Gates—a narrow passageway into Greece that Leonidas' miniscule band can most ably defend—the soldiers take up arms without the usual post-modern anti-war hand-wringing that most war epics indulge in. These soldiers are both bred for battle and fighting a good fight and the film focuses squarely on the highly charged action. Meanwhile, in a new plotline created specifically for the movie, his equally noble and faithful queen Gorgo (Lena Headey) takes up arms in a more symbolic way as she also tries to keep democracy alive by taking on the political warlords of Sparta to secure relief for her husband's troops.

Acting

Butler has become a familiar and welcome on-screen presence in such films as The Phantom of the Opera and Reign of Fire, but there has been little on his mainstream movie resume to suggest the kind of bravura fire he brings to the role of Leonidas. This is the stuff of an actor announcing himself to the audience in a major way, akin to Daniel Craig's star-making turn as James Bond. In a big, bold performance that could have gone awry in any number of ways, Butler plays even the highest pitched notes like a concerto, perfectly capturing the king's bravado, bombast, cunning, compassion and passion each step of the way. Headey is his ideal match, imbuing the queen with more steel and nobility in a handful of scenes than most actresses can summon to carry entire films. Fans of Lost and Brazilian cinema will be hard-pressed to even recognize Santoro, whose earnest, pretty handsomeness is radically transformed into Xerxes' exotic, borderline freakish form, personifying a terrifying yet seductive force of corruption and evil that spreads like a cancer across the earth. And don't forget to add in the most impressive array of rock-hard abs on cinematic display since, well, ever (think Brad Pitt in Troy times 300).

Direction

Even bolstered by canny casting choices and their washboard stomachs, helmer Zack Snyder (Dawn of the Dead) is the true, undisputable star of 300, establishing himself firmly as a director whose work demands to be watched. With a kinetic sensibility that's akin to Quentin Tarantino and John Woo and using CGI technology to its utmost effects, both subtle and dynamic, Snyder creates a compelling, fully formed world that the audience is eager to explore. Snyder doesn't literally match Miller's signature artwork as meticulously as director Robert Rodriguez did with Sin City. Instead, Snyder captures Miller's essence, be it raw brutality, majestic size and scope, the exotic and otherworldly, carnal physicality or hideous deformity--even seemingly antiquated and potentially off-putting techniques like the repeated use of slow-motion are put to fresh effect, making every blow and cut seem crucial. Yet even in the visual glorification of some of the most bloody and violent conflicts ever put to film, Snyder infuses the tale—which ultimately is one big, glorious testosterone-soaked fight sequence—with the sense of honor and sacrifice which characterizes the most noble of war efforts. Yes, war can be hell, but this is a case where some like it hot.

Bottom Line

Hollywood.com rated this film 3 1/2 stars.

Movie

300

Author

anonymous

Date reviewed

2007-03-15 16:00:16

Provider

Review

Zak Snyder's big screen interpretation of Frank Miller's graphic novel is precisely what it sets out to be, a violent stylised comic book brought to life.

This Monochromatic epic concerns the bloody Battle of Thermopylae in 480 BC, when 300 Greek warriors ignored the Gods and took on an army of Persian invaders in their millions inspiring an entire nation to unite and fight for, according to this film anyway, an early interpretation of democracy. That's about it as far as the plot goes, after all this is a film aimed at comic book fans where history is simplified, so don't expect much story to go along with the big sound and violent fury.

However, 300 never pretends to be anything other than an exhilarating action fest in the style of Sin City. It's all about semi-nude ripped men decapitating their enemy in gloriously detailed slo-mo set pieces against an equally vicious soundtrack of contemporary alt rock.

Practically unrecognisable, a pumped up Gerald Butler is the undoubted human star of the film as King Leonidas, a sort of heroic cross between Sean Connery and Brian Blessed. Other than him this is a movie that must be respected for its technical achievements. From start to finish it looks like nothing else on celluloid right now, and although the blood and gore might get a bit exhausting towards the end, there's no denying 300 has set a new benchmark in the film making process.