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Atonement follows the grand tradition of sweeping romantic period films, alternating between lush beauty and stark realism; it grabs your heart and doesn't let go.
Based on Ian McEwan's equally stirring novel, we begin the story in 1935, on the cusp of WWII. Briony Tallis (Saoirse Ronan), a 13-year-old fledgling writer, lives with her wealthy family in their enormous English country mansion, and on one hot summer day, she irrevocably changes the course of three lives, including her own. It seems the housekeeper's son, Robbie Turner (James McAvoy), carries a torch for Briony's older sister Cecilia (Keira Knightley). And on this warm day, it becomes clear she feels the same way; their love ignites. Little Briony, who harbors her own secret crush on Robbie, witnesses the beginnings of this love affair, and not understanding its meaning, feels compelled to interfere, going so far as accusing Robbie of a crime he did not commit. He is arrested and whisked away, eventually forced into the British army, but thankfully, the two lovers have a moment before he goes to war to reconnect. Cecilia promises to wait for him, urging him to "come back" to her once the madness he is about to become immersed in is over. Meanwhile, Briony (played in adult years by Romola Garai and Vanessa Redgrave) has grown up regretting every single moment of that fateful day, and in desperately trying to seek forgiveness, finally finds a path to understanding the power of enduring love.
The performances in Atonement are nothing less than captivating, beginning with the young Irish rose Saoirse Ronan (who is also set to play the lead in Peter Jackson's The Lovely Bones). Since it is primarily Briony's story, Ronan must make the first, most indelible impression and set the tone for the rest of the movie--and she succeeds on every level. From the moment you see Ronan's pale face, clear-blue eyes and steadfast gait, you immediately recognize Briony's need and determination to make everything in her life just so. Indeed, Briony is a strongly focused child, and Ronan so embodies the character, an Oscar nomination is almost a certainty. As the 18-year-old Briony, Garai (Dirty Dancing 2) does the best she can, following such a tough act as Ronan, but can never quite match the same intensity. On the other hand, Redgrave, who comes in at the very end as the much older Briony, nails it right away, adding her own nuances to a character who has lived a full life. Of course, Knightley and McAvoy are no slouches either, vividly capturing the passion bubbling up between Cecilia and Robbie, then turning around and showing the heartache as their love is ripped apart. McAvoy is particularly effecting, as his Robbie must also witness some truly horrific wartime scenes. Actually, Oscar nods should come fast and furious for everyone in Atonement.
With Pride & Prejudice and now Atonement, director Joe Wright may have just established himself as the new James Ivory (of Merchant/Ivory fame). Wright is a real visionary for the romantic period piece, expertly delivering truly spectacular vistas. From set design to costumes to cinematography, the look of Atonement is at once verdant, welcoming and then startlingly grim. The first half of Atonement, at the Tallis' country home, is certainly the film's most defining, peppered by an effective musical score, which uses the sound of a typewriter like a metronome. Through a soft lens, Wright displays the general idleness of summer day at a country home like a sunny, floral motif that belies an undercurrent of sweating bodies, wilting flowers, stagnant pools--and an imminent tragic event. Then, once Wright moves with Robbie into WWII, he actually paints an even more grim view of war then maybe seen before. The one continuous shot of the historical Dunkirk--a French beach on which thousands of British soldiers were forced by the Germans and then waited to be evacuated--is absolutely stunning and surreal. Atonement does drag ever-so-slightly in the middle, especially as Briony trains to be a nurse in London, but overall, this is a film Academy voters eat up with a silver spoon. Expect to be hearing about it in the months to come.
Hollywood.com rated this film 3 1/2 stars.
Copyright © CinemaSource 2009.
Based on Ian McEwan’s acclaimed novel, this adaptation by Joe Wright (Pride & Prejudice) is almost arthouse in style as the story builds pace in idyllic, pre-war England before climaxing in Blitz-torn London and the tragic poppy fields of France.
The film opens in England, 1935 on the hottest day of the year. Childhood friends from opposing backgrounds, linked together by family, realise they've fallen in love. Played by two of the most glamorous leads around, Keira Knightley and James McAvoy, aristocrat Cecilia and housekeeper's son Robbie's passionate love affair is beautiful, but doomed.
In just a few crucial hours Cecilia's younger sister, 13-year-old fledgling writer Briony, changes the course of several lives when she misreads their relationship, allows her overactive imagination to fictionalise an adult relationship she does not understand, and commits a terrible crime.
Fast forward four years and World War II rages as Briony tries to atone for her mistake. The film then follows Robbie's fortunes in the battle fields of northern France up to the evacuation of Dunkirk, Cecilia's tragic life in war-time London and Briony's desperate decision to become a nurse in a London hospital.
The casting is faultless: not least of Briony, who as a child is played by unknown actress Saoirse Ronan; as a young woman by Romola Garai, and then finally in old age Vanessa Redgrave takes over as the celebrated writer, tortured by her need for atonement. A poetic and sophisticated script, emotive score and unforgettable cinematography beautifully illustrate the sexual tension, and later, enduring love between Cecilia and Robbie, and the anguish of Briony.
A guaranteed contender for next year’s Best Picture Oscar.
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