August Rush Review

"August Rush" reviews

Movie

August Rush

Author

anonymous

Date reviewed

2009-10-27 09:57:13

Rating

2.5/5

Provider

CinemaSource

Review

August Rush comes dangerously close to being too feel-good for its own good, but the dynamic trio of strong performances, magical imagery and nonstop music prevails.

Story

For the past 11 years--his whole life--Evan (Freddie Highmore) has been an orphan, but that's about to change, along with his name. Evan has ''always heard the music,'' even when it's not playing, and one day he decides to follow it in hopes of finding the parents he's never met and whose musical genes he has inherited. It takes him out of the orphanage he has always despised and into Manhattan, where 11 years prior he was conceived. As we learn via flashback, his parents, both young musicians at the time, were an unlikely match: Lyla (Keri Russell) was a shy, dainty cellist, while Louis (Jonathan Rhys Meyers) was a brash Irish rocker. Their mutual love for music ultimately brought them together on a rooftop for just one night, of which Evan turned out to be the product. But when Evan is born prematurely, Lyla's father (William Sadler) does what he thinks is right for her career and gives the newborn up for adoption without her knowledge. Lyla and Louis have since reluctantly given up music, but Evan is about to pick up where they left off, in New York City. While there, he is discovered by a seemingly well-intentioned ''manager'' named Wizard (Robin Williams), who renames the prodigy August Rush. Before long, Wizard is booking gigs in hopes of capitalizing financially, while August hopes to use his music for a slightly nobler purpose: tracking down and reuniting his parents.

Acting

Highmore (Charlie and the Chocolate) is as much a child-actor prodigy as August Rush is a musician; he's truly in a class of his own. It's not just that the British youngster seamlessly ditches his accent to play an American—better and more undetectably than many of his elders are able to do, might I add—or that he's able to pull off the musical aspect (he reportedly mastered the guitar and conducting for further authenticity), but rather that he advances the never-dormant story every step of the way. And it's not every day that a teenager can handle being the centerpiece of a big Hollywood movie (see The Seeker, et al.), but Highmore makes it a non-issue. Russell and Rhys Meyers, meanwhile, add a classy touch of adult to the story with their opposites-attract arc. Russell borders on too pristine and precious at times and Rhys Meyers is written as the stereotype of Irishmen, but they make you believe in the commonality of music as a matchmaker. Williams, however, misfires with his portrayal of the somewhat ambiguous Wizard. It is unclear whether he is a reincarnated pirate or just a well-traveled New Yorker, and Williams plays him with that lack of clarity, but kids will laugh nonetheless when the actor gets loud and hyper. Terrence Howard, as a concerned social worker, and Mykelti Williamson, as a pastor, turn in solid supporting performances, while young Jamia Simone Nash may incite standing ovations with her singing.

Direction

The concept of August Rush is most certainly aimed towards those too young to discern between realism and fantasy, but at least director Kirsten Sheridan (Jim's daughter) doesn't patronize kid viewers the way most preteen movies do. While the young director doesn't exactly steer clear of clichés and sap, she makes a concerted effort to place the film's music and sheer energy at the forefront. Sheridan also does the best with what she's given, which is a highly predictable, occasionally preachy script—with a tendency to give Highmore cringe-worthy voiceovers (i.e., "Open yourself up to the music around you")—written by Nick Castle (Hook, which August Rush often resembles), James V. Hart (The Last Mimzy) and Paul Castro. Just as impressive as the film's omnipresent music—both "found" (basketball dribbles, etc.) and orchestrated—is the look of a somewhat magical Manhattan that is as fun for kids as it is mildly scary. All in all, Sheridan's first big movie is a different, if slightly uneven, kind of kids flick but not so different that the target audience won't dance along.

Bottom Line

Hollywood.com rated this film 2 1/2 stars.

Movie

August Rush

Author

anonymous

Date reviewed

2007-11-16 15:40:37

Provider

Review

August Rush is a bizarre modern fable that's both messy and delightful. It stars Freddie Highmore in the eponymous role, the product of a one-night stand between Lyla (Keri Russell) and Louis (Jonathan Rhys Meyers) and born with an extraordinary gift for music. Young August can hear the melody of the wind whistling through the trees or the buzz of traffic passing by. This brings him to the attention of the Fagin-esque Wizard (Robin Williams), who gives him his name and home, in an old dilapidated theatre, and sets out to make his fortune from the child.

Meanwhile Lyla, who was conned by her manipulative father into believing her child was dead, has discovered he's alive and is desperately searching for him, while Louis has abandoned his own promising career as a budding indie rocker to look for the woman with whom he shared that one night of magical passion, twelve years ago. It's a story that relies on the manner of its telling, much of it (particularly the climax) being done without dialogue, leaving the music to do the talking. The soundtrack, scored by Hans Zimmer and Mark Mancina, is key, its stirring melange of classical, jazz, gospel and urban themes being on hand to carry the emotions. If it doesn't quite transport the viewer like it should, that may be because it's simply too heavy a burden. Although August Rush is enjoyable, its mix of magical realism and old-fashioned Hollywood values doesn't quite come off. For those left un-entranced by the soundtrack and the visual poetry, August Rush will feel more like a slow April.