Restless energy channeled into the relentless pursuit of success transformed teen rap artist the Fresh Prince into Academy Award-nominated leading man and blockbuster movie producer, Will Smith. His witty charisma, infectious spirit and rare versatility transcended racial and generational borders, continually attracting record-breaking crowds to sci-fi adventures, comedies and dramas. He was equally at home shooting a film with Barry Sonnenfeld as he was recording with Snoop Dogg. Because of this ability to both be comfortable and to make others comfortable, he drew unanimous admiration from his peers for both his extraordinary drive and that easygoing charm which helped him move seamlessly between worlds. One of only three actors to star in seven consecutive $100 million blockbusters, Smith was hailed by Entertainment Weekly as the smartest actor in Hollywood for achieving a level of global popularity unprecedented for an African-American actor." Smith was under the age of 40 when that comment was made, and still striving to achieve his personal best in an ever-widening field of creative pursuits.
Willard C. Smith Jr. was born on Sept. 25, 1968 in Philadelphia, PA. His father, Willard Sr., was an Air Force veteran who owned a commercial refrigeration company, while his mother, Caroline, worked for the local school board. Smith himself was not a model student, however. Despite his naturally inquisitive mind and the quick-on-his feet negotiating skills that earned him the childhood nickname the Prince, Smiths hyperactive energy hampered his academic efforts. But his outgoing charm and sense of humor already suggested that a different kind of success might be in store for the youngster, who cleverly learned to tailor jokes to predominantly white schoolmates, predominantly black friends and the locals in his Jewish and Muslim neighborhood. At the age of 12, he found a new outlet for his verbal creativity and began experimenting with Grandmaster Flash-inspired rap. When he met turn-table ace Jeff Townes, or DJ Jazzy Jeff, on a playground four years later, the two joined forces and began performing on the local party circuit. They added human beat-box Ready Rock C to the act and released the single Girls Aint Nothin but Trouble on local label Pop Art records in 1985.
Rising rapper Smith immediately made a mark with lyrical content revolving around the trials and tribulations of teenhood, coupled with a rap style that was uniquely funny and refreshingly free of profanity. He had ditched earlier efforts to conform to a more R-rated mold after his grandmother read some of his lyrics and informed him, truly intelligent people do not have to use these types of words. The brass at Arista imprint Jive records agreed, smelling the potential of the groups youthful, poppy style, and signed them to a record deal. Two weeks before his high school graduation, Smith saw the release of DJ Jazzy Jeff and the Fresh Princes first album, Rock the House (1987) and his career was set in motion.
The duo landed a huge profile boost with an opening slot on tour with Run D.M.C. and Public Enemy later that year, with Smith recalling in interviews that a sold out stadium show of diehard rap fans in Japan truly ignited his fire for superstardom. The year 1988 saw the LP Hes the DJ, Im the Rapper and the breakout single and music video for Parents Just Dont Understand, which transformed them into platinum recording artists and first ever recipients of a Grammy Award in the new Rap category. The follow-up release And in This Corner (1989) was certified gold, though the groups mainstream sound was beginning to lose some audiences, in light of the rise of hardcore rap.
By the time Smith was 21 years old, the jug-eared kid from Philly had earned and lost a million dollars. Luckily his theatrical charisma had attracted the attention of Hollywood. NBC was interested in building a sitcom around Smith. The result was "The Fresh Prince of Bel-Air" (NBC, 1990-96), in which Smith opened the show by rapping its back story about a streetwise kid from the Philly 'hood who moves in with wealthy relatives in Bel Air, CA. The show, like Smiths music, was popular with a large cross-section of both black and white audiences, bringing a non-threatening portrayal of hip-hop culture to primetime TV. Taking advantage of his heightened profile, he and Jazzy Jeff released the platinum-selling, Quincy Jones-produced Homebase in 1991. The single Summertime earned the duo a second Grammy, hitting the tops of both the R&B and Rap charts and proving to be one of the most memorable hits of their music career. The self-proclaimed psychotically driven Smith followed up his second round of success by marrying girlfriend Sheree Zampino, earning his first Golden Globe nomination for The Fresh Prince, and setting his sights on feature films. He debuted in theaters in a small role in a gritty profile of runaway teens called Where the Day Takes You (1992), before landing a supporting role in the failed Whoopi Goldberg/Ted Danson vehicle, Made in America (1993).
Smith, now living in Los Angeles, was determined to become a Hollywood star. Convincing a director that he could play something other than a wise-assed urban kid was going to be a challenge. Director Fred Schepisi took that chance, casting Smith in the lead as a charming con-man who ingratiates himself with an affluent white New York couple (Stockard Channing and Donald Sutherland) by posing as the son of Sidney Poitier in "Six Degrees of Separation" (1993). The untrained actor spent months working with drama and dialogue coaches for his turn in the adaptation of the Tony-nominated play and the work paid off, with Smith delivering an impressive performance amidst a cast of seasoned acting pros. The same year, he earned a second Golden Globe nomination for The Fresh Prince and he and Jazzy Jeff released the album Code Red (1993) which hit gold status and produced the number one single Boom! Shake the Room. In 1994, Smith assumed executive producer duties on the Fresh Prince, and the following summer, enjoyed his true cinematic breakout opposite Martin Lawrence in "Bad Boys" (1995). From the minds of veteran action-comedy producers Don Simpson and Jerry Bruckheimer, the buddy cop feature, in which Smith played the wild bachelor to Lawrences family man, was a blockbuster hit and proved Smith had the talent to carry a mainstream film.
The Fresh Prince aired its series finale in 1995. Off-screen, Smith also bid farewell to his three-year marriage, which had produced son Willard III, nicknamed Trey. Perfectionist Smith was saddled with feelings of failure and sadness over the break-up and found a shoulder to cry on in actress Jada Pinkett, whom he had been friendly with for years in the relatively small circle of successful black Hollywood actors. Within a year, their friendship blossomed into love, and the spiritually renewed Smith triumphantly returned to theaters as a cigar-chomping military pilot trying to save the U.S. from an alien invasion in the sci-fi thriller, "Independence Day" (1996). One of the most anticipated films of the summer blockbuster season, Independence Day went on to earn over $800 million dollars worldwide and bumped Smith up to Hollywoods A-list.
The following summer he continued his hot streak in yet another space alien success, starring as comically deadpan Agent J opposite Tommy Lee Jones humorless Agent K in "Men in Black" (1997). In addition to the critical kudos Smith earned for his role in the years highest grossing film, his performance of the theme song earned a Grammy Award for Best Solo Rap performance. The song also appeared on Smiths debut solo album released on Columbia Records that year, Big Willie Style, which spawned chart-topping hits Getting Jiggy Wit It and Just the Two of Us, an homage to father/son relationships and dedicated to his son, Trey.
Smith and Pinkett capped 1997 with a New Years Eve wedding outside Pinketts hometown of Baltimore, MA. Nearby, Smith had been shooting the dramatic thriller "Enemy of the State (1998), in which he offered a sturdy dramatic performance as a labor lawyer targeted by the National Security Agency after acquiring evidence pivotal to a politically-motivated killing. His next outing was one of the lesser efforts in the blockbusters Smith cannon "Wild Wild West" (1999), in which he was cast as a Civil War-era government agent in a loose interpretation of the popular 1960s TV series. His laid-back charm and charisma may have been overshadowed by overblown special effects, but Smith still managed to attract over $100 million in domestic box office (on a $200 million budget) and banked another number one hit with the films theme song. The song also appeared on Smiths multi-platinum selling Willennium alongside singles Freakin It and Will 2K.
But when Smith returned to the big screen in the highly-touted millennium, he was ready to put his action-comedy star status aside in favor of tackling serious drama. His first, decidedly non-summer extravaganza, was the period fable The Legend of Bagger Vance (2000), in which he played a mysterious caddy who dispenses inspirational support to a washed-up golf pro (Matt Damon). While Smith seemed a bit at sea in this drastic departure from his usual fare, reviewers agreed that he managed to keep the character from devolving completely into clich
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