A prolific and immediately recognizable character actor in films and television, Burt Youngs half-muttered voice and flinty gaze made the world of low-rent mobsters, blue collar workers and world-weary police detectives his province since the early 1970s. He came to acting through Lee Strasberg and appeared on the off-Broadway stage before making the leap to film in 1970. Numerous supporting roles as losers, thugs and tough guys preceded his memorable role in Rocky (1976) as Sylvester Stallones ill-mannered brother-in-law, Paulie Pennino. He would reprise the role in all of the subsequent Rocky sequels while enjoying turns in a wide variety of films and television series, most notably a memorable guest spot on The Sopranos (HBO, 1999-2007), playing a dying Mafia soldier who executes his own godson. Despite his crude onscreen persona, Young was something of a Renaissance man in private life, with several film scripts, stage plays and a novel to his name, as well as a successful second career as an artist.
Born in Queens, NY on April 30, 1940, Young began acting after serving in the Marines in the late 1950s, and working as a carpet salesman and amateur boxer. He accompanied a friend to an audition for famed acting coach Lee Strasberg, who instead accepting Young into the Actors Studio. Strasberg soon became a close friend to the novice actor, who soon made his debut on stage off-Broadway productions. Young made his screen acting debut billed as John Harris in the low-budget horror picture Carnival of Blood (1970) for notorious adult film director Leonard Kirtman. Youngs offbeat delivery, which turned from quirky and humorous to threatening or sympathetic at a moments notice, quickly ushered him out of the grindhouse ghetto and into mainstream fare. He soon impressed audiences in supporting turns for such films as The Gang That Couldnt Shoot Straight (1971), Across 110th Street (1972), and Cinderella Liberty (1973), which marked the beginning of his long friendship with actor James Caan. In 1974, Roman Polanski cast him as the lovelorn Curly, who hires detective Jake Gittes (Jack Nicholson) to investigate his wifes infidelity in Chinatown, while Sam Peckinpah tapped him to play a getaway driver opposite Caan and Robert Duvall in the violent thriller The Killer Elite (1975). Young also enjoyed guest appearances on several crime programs during the period, including Baretta (ABC, 1975-78), for which he would also pen his first teleplay.
In 1976, struggling actor Sylvester Stallone cast Young to play meat plant worker Pauline Pennino, whose sister Adrian (Talia Shire) was the object of the pug boxers affections, in Rocky. Young provided the majority of comic relief for the underdog tale, which went on to become a box office and cultural phenomenon, while earning Young a 1977 Oscar nomination for Best Supporting Actor. The increase in profile from Rocky gave Youngs acting career a strong boost, as he continued to essay supporting turns in films and television through the 1970s, including a reunion with Peckinpah for the disastrous Convoy (1978) and Robert Aldrich in Twilights Last Gleaming (1977). He also showed his considerable talent as a writer with scripts for the TV-movie Daddy, I Dont Like It Like This (CBS, 1978), with Young and Shire as the heads of a family struggling with poverty, and the feature Uncle Joe Shannon (1978), about a jazz trumpeter (Young) and his daughter. The latter, largely based on Youngs relationship with his daughter, actress Anne Moreau, was a critical and commercial flop, and unfortunately seemed to signal the end of Youngs fledgling efforts as a screenwriter.
Young was remarkably busy throughout the late 1970s and 1980s with appearances in big-budget Hollywood productions and a host of smaller, independent pictures with varying degrees of quality. He was naturally brought back for all three Rocky sequels in the ensuing decades Rocky II (1979), Rocky III (1982), and the highly-successful, but completely soulless Rocky IV (1985). But Young also gave memorable performances in Sergio Leones Once Upon a Time in America (1984), which he followed by playing psychotic mob boss Bed Bug Eddie in The Pope of Greenwich Village (1985) and Rodney Dangerfields pal and chauffeur in Back to School (1986). Of course, Young participated in his share of misfires, playing an abusive dad who falls victim to his bedeviled son in Amityville 2: The Possession (1982) and appearing in the short-lived comedy Roomies (NBC, 1987), with Young as a former drill instructor who shares a college dorm room with a child prodigy (Corey Haim). Meanwhile, he returned to the stage in productions of Rats for Al Pacino and the blockbuster Broadway run of Cuba and His Teddy Bear, opposite Robert De Niro and Ralph Macchio.
Young settled into a comfortable routine of playing mobsters and gritty types for most of the 1990s, appearing to not mind being typecast at all. His light comic touch made the most of his appearances in the best of his later films, which included Betsys Wedding (1990) and Mickey Blue Eyes (1999). A few directors remembered Youngs versatility and cast him in more nuanced character parts, like Bright Angel and Nick Cassavetes Shes So Lovely (1997). But for the most part, Young was content to play Mafiosi in films and television productions like the popular Vendetta: Secrets of a Mafia Bride (Syndicated, 1991) and Mario Puzos The Last Don (CBS, 1997). There was also a reprise of Paulie in Rocky V (1990), which proved to be about the only positive thing about the woeful sequel.
Young busied himself in independent and international productions after the new millennium while enjoying critical accolades for his paintings, which were shown in galleries all over the world. There were also stage appearances in New York and Los Angeles, as well as a few standout film and television roles. He was the terminally ill father of Bobby Baccalieri (Steven R. Schrippa) on a 2001 episode of The Sopranos, which concluded with the former top killer losing his own life after rubbing out his own much-detested godson. Young also displayed his comic and dramatic talents as the bewildered father of a transsexual (Felicity Huffman) in the indie Transamerica (2005). He later appeared as himself alongside Sylvester Stallone on the reality series The Contender (NBC-ESPN-Versus, 2005- ), before picking up the mantle of Paulie for the sixth and apparently final Rocky film, the successful and redemptive Rocky Balboa (2006).
Copyright © Baseline 2009.