Big Fish Review

"Big Fish" reviews

Movie

Big Fish

Author

anonymous

Date reviewed

2009-06-02 20:37:56

Rating

3/5

Provider

CinemaSource

Review

A son has heard tall tales from his father his entire life; now his father is dying, and he's trying to understand the man behind the vivid imagination. Based on the novel by Daniel Wallace.

Story

Edward Bloom (played in his younger years by Ewan McGregor and as an older man by Albert Finney) is not an easy man to get to know, but everybody he meets loves him. His elaborate stories--of his encounter with a witch whose glass eye shows a man's death, his dramatic exodus from his hometown with a giant, his return with gorgeous Siamese twins, his job in the circus, meeting his wife, his son's birth and his own attempts to catch the biggest fish in the lake--entertain everyone who hears them, except his estranged son William (Billy Crudup), who's heard them all too many times. He'll hear them again, though; the film shows us the father's fantasy world in all its Tim Burton glory, flashing back to Edward's youth and showing the stories as he tells them. Juxtaposed with these colorful imaginings are scenes of Edward's bittersweet reality: He's old now, and dying. William has come home hoping to confront his father, whose incredible fictions enriched his childhood but made him an embittered adult. They both know that soon, the only story left to tell will be the one whose ending Edward has kept secret his entire life: the vision of his death that the witch showed him in her glass eye.

Acting

Because the stories from the past and the present are interwoven so closely, Big Fish is a little hard to grasp in the beginning. Because the story's so complex, the characters aren't immediately accessible even though the acting is generally good--barring a few slips in the Southern accents from McGregor and Alison Lohman. Once we start to get the gist, though, it becomes clear that Big Fish has some very rich, rounded, complex characters, played well across the board. Finney stands out with an intelligent and moving turn as the older Edward among a cast of highly regarded thesps, including Jessica Lange, Helena Bonham Carter and Steve Buscemi. A five-time Academy Award nominee but never a winner, Finney may see another nod--and given his empty mantel, maybe even a win--for this role in the Best Supporting Actor category come February.

Direction

Next to the originality of the story, Tim Burton's direction is perhaps the most compelling thing about Big Fish. Known for embracing his inner weirdness in films such as The Nightmare Before Christmas, which he produced, and Edward Scissorhands, which he directed and produced, Burton continues that trend with Big Fish's ''tall tale'' sequences. The director restrains the freaky side of his creative impulse during the reality segments, proving himself as adept at serious drama as he is at fantasy. The cinematography and set design throughout are as gorgeous as they are appropriate to each segment's theme: The fantasy--of foggy lakeside sunrises, the quaint yet not-quite-right town of Spectre and its soft-focus hoedown, the dark haunted forest--contrasts with the stark reality of the hospital ward and a dying father's deathbed. Director of photography Philippe Rousselot, who worked with Burton on the director's last film, Planet of the Apes, captures every meticulous detail of the magical sets produced by art director Richard L. Johnson, production designer Dennis Glassner and set decorator Nancy Haigh.

Bottom Line

A highly original story--part fantasy, part family drama--and very high production values, courtesy of one of cinema's most original directors and his team, makes Tim Burton's Big Fish a good catch.

Movie

BIG FISH

Author

anonymous

Date reviewed

2005-10-25 21:43:20

Provider

Review

As a director Tim Burton has established himself as one of the quirkiest and stylistic filmmakers going thanks largely to movies such as Edward Scissorhands and Beetlejuice but recent years have seen him turn far more mainstream. While his remake of Planet Of The Apes was less than enthusiastically received, there's no doubting Tim's talents but will this latest offering reinforce his good reputation or is this Big Fish more like the one that got away?

The movie centres on the relationship between Will Bloom (Billy Crudup) and his aging father Ed (Albert Finney) who has been struck down with cancer. Now Will hasn't spoken to his tall-tale telling father since they fell out three years earlier but Bloom Jr. wants the chance to try and find out exactly what kind of man his Dad was, something he was denied when growing up thanks to his father's traveling salesman job and obviously exaggerated stories whenever he returned. What follows is a look at Ed's alleged adventures (with Ewan McGregor playing the young man) as Will tries to separate the fact from the fiction.

Despite Ewan's touch-and-go southern accent, Big Fish is a charming, heart-warming and feel good film. It may not be as trademark Burton as some of his other films but this movie really proves that Tim doesn't need to rely on off-kilter visuals to make his mark - he can do it with emotion too.

Sure many of Ed's stories see him hooking up with giants (Matthew McGrory), encountering one-eyed witches (Helena Bonham Carter) and working at a circus sideshow (owned by Danny DeVito) but Big Fish but at the heart of the film is the redemption of the relationship between father and son. The final scenes will bring a tear to the sternest of eyes as Finney finally comes to terms with what he saw in the witches eye.

Oh, and trivia fans keep a look out for the banjo player in the town of Spectre - he's the same guy who found fame playing the instrument in Deliverance.