The Day After Tomorrow Review

"The Day After Tomorrow" reviews

Movie

The Day After Tomorrow

Author

anonymous

Date reviewed

2007-03-28 21:56:43

Rating

3/5

Provider

CinemaSource

Review

A global super storm pushes the planet into a new Ice Age and unfortunately for mankind, the only safe place to be is an international space station. Summer movies just don't get any better than this!

Story

Like a violent twister touching down on a small midwestern town, The Day After Tomorrow hurls moviegoers right into the eye of storm, literally within minutes. As the film opens, climatologist Jack Hall (Dennis Quaid) and his field team are almost killed when a chunk of ice the size of Rhode Island breaks off the Antarctic Ice Shelf. Later in Washington, Jack's research suggests a buildup of carbon dioxide has caused polar ice caps to melt, pouring fresh water into oceans and disrupting the North Atlantic current. The result? Three massive super storms that will push it into a new Ice Age--in a matter of days. But when the U.S. government launches full-scale evacuations, Jack--snowshoes in tow--heads north to save his son Sam (Jake Gyllenhaal), who is holed up with some friends inside the Manhattan Public Library, burning books (much to the dismay of the librarian) to keep warm. The story here isn't exactly deep, introspective stuff and the geographically dispersed characters are simply here as vehicles to advance the plot. And while the story is littered with disaster movie clichés, including the doctor who stays behind with her young cancer patient, the autocratic vice president who won't take Jack seriously, and the homeless guy who knows all the tricks to staying warm, it almost doesn't matter. Disaster movies are about disasters--and The Day After Tomorrow nails it.

Acting

The characters here don't really have that much depth, but you have to appreciate that the movie doesn't deliberately aim to tug at your heartstrings. Remember the scene in Deep Impact when Tea Leoni and Maximilian Schell wait on the beach for the tidal wave to kill them? There are no sad-ass moments like this here. Quaid's character Jack is probably the most fleshed out, a workaholic father who lost his family because he was never around. Now, he's trying to right all his wrongs by saving Sam--even if it means snowshoeing from Washington, D.C., to the Manhattan Public Library. Quaid is believable though, both as a dad and a climatologist, delivering lines like, ''Mr. Vice President, if we don't act now, it's going to be too late'' with utter conviction-and he carries it off. Gyllenhaal (The Good Girl) plays his son, Sam, a brainiac whose best subject is suppressing his emotions. But although Quaid and Gyllenhaal's characters are a little cardboard, you have to admire their ability to act frightened, nervous and panicky in the face of nothing, considering three-quarters of the film was created during post-production.

Direction

A-list director Roland Emmerich, whose surprise hit Stargate led to the big-budget actioners Independence Day, Godzilla and The Patriot, delivers a stunning and spectacular film. The Day After Tomorrow begins with the unnerving sequence in which Quaid dangles off the edge of the Antarctic Ice Shelf by an ice pick--and it only gets better. The scenes of destructions that occur in Los Angeles, including the obliteration of Welton Beckett's landmark Capitol Records headquarters and the annihilation of the Hollywood sign by four deadly twisters are hair raising. Even more impressive are the shots of Manhattan being swallowed up by an inconceivable tidal wave, followed by shots of a Russian freighter hulking down Fifth Avenue. And just when it can't get worst, a radical temperature drop causes it all to ice over, sending New York City into a deep freeze. Emmerich's direction throughout is so tight that it's difficult to detect where the set pieces and water tanks end and computer-generated imagery begins. With the exception of some bizarre looking CGI wolves that escape from the zoo, the visuals here are flawless.

Bottom Line

A perfect blend of contemporary environmental issues and science fiction, director Roland Emmerich's big-budget disaster flick The Day After Tomorrow is summer movie entertainment at its best.

Copyright © CinemaSource 2007.

Movie

THE DAY AFTER TOMORROW

Author

anonymous

Date reviewed

2005-10-25 21:43:20

Provider

MRIB

Review

There's no doubt that any new Roland Emmerich's film is a big event. Since Jean-Claude Van Damme and Dolph Lundgren had a dust up in Universal Soldier, the German filmmaker has consistently bought havoc to the cinema world in the shape of aliens (Independence Day, Stargate), mutated lizards (Godzilla) and angry colonials (The Patriot). This time it's Mother Nature's turn to try and wipe us all out.

The Day After Tomorrow centres on Jack and Sam Hall (Dennis Quaid and Jake Gyllenhaal respectively), a father and son pairing who don't exactly have the best of relationships. Jack is a climatologist who's predicted a ice age in the next few thousand years but it would seem that his calculations were a wee bit generous. Sam, meanwhile, is in New York where tidal waves, hungry wolves and a some rather harsh temperatures are about to test his survival skills to the limit.

There's no doubt that this film looks very impressive. The screen is full of tornadoes in LA, reckless destruction around the globe and sweeping snow-scapes as the cold snap takes hold. You'll certainly find yourself glued to the screen for the first hour or so as the weather worsens but, once things start to settle, the film does run out of steam (if not wind) a bit as Jack treks to NYC to find his son.

And while we're on the subject, just what does Roland have against New York City - so far he's flattened the Big Apple in two previous films and it certainly fares no better in The Day After Tomorrow.

Quaid is decent enough as the reluctant hero but it's Gyllenhaal who shows the real star quality here despite having to churn out some dead cheesy dialogue - the whole film is littered with über-scientific phrases such as "critical desalinisation" - but the sight of US citizens fleeing illegally into Mexico certainly raises a smile.

Essentially, this is a standard Roland Emmerich film - he draws us in with flashy effects and high concept story lines and hopes that we'll be too dazzled to notice the loose stitching he uses to hold the whole tapestry together - so it's a perfect popcorn flick but shallow as they come.

Copyright © MRIB 2005.