Freaky Friday Review

"Freaky Friday" reviews

Movie

Freaky Friday

Author

anonymous

Date reviewed

2006-04-11 23:14:28

Rating

3/5

Provider

CinemaSource

Review

On a freaky Friday morning, a busy psychiatrist and her 15-year-old daughter wake up to find they have magically switched bodies. Until they can figure out what to do, they attempt to carry on with each other's daily routines.

Story

Every once in a while, a little family pic comes out that is truly endearing. Disney's Freaky Friday, a remake of the studio's 1976 classic starring Barbara Harris and Jodie Foster as a mother and daughter who switch bodies for a day, is certainly one of them. This update of Mary Rodgers' novel, however, is fittingly contemporary: Tess (Jamie Lee Curtis) is a busy psychiatrist as well as a published author, and her teenage daughter Anna (Lindsay Lohan) is a guitarist in a garage band. Their mother/daughter relationship is an archetypal one; Tess tries to be supportive while setting boundaries for Anna, who, like most 15-year-olds, is moody and rebellious. They don't see eye-to-eye, especially when it comes to men. Anna thinks her mother, a widow, is marrying her boyfriend Ryan (Mark Harmon) way too soon after her father's death, while Tess think Anna's crush Jake (Chad Michael Murray) is too old for her. During dinner at a Chinese restaurant on a Thursday evening, the two eat fortune cookies that cause them to magically wake up the next morning inside the other's body. Until they can figure out how to switch back, Tess and Anna decide to carry on with each other's daily routine and hope that no one will notice the change. This curse, however, turns out to be a blessing as Anna discovers the complexities of being a single, working parent and Tess experiences high school in the 21st century.

Acting

Much of this film's appeal rests on its two stars, Curtis and Lohan, who do such a fantastic job in their respective roles as Tess and Anna. Their characters are well established before the switch and we get a peek inside each of their lives; at school Anna is unfairly targeted for detention while Tess juggles a relationship, finances and an extremely busy career. But the show really begins when the switch is on, and Curtis and Lohan get to flex their physical comedy muscles. Curtis (Halloween: Resurrection), for example, must capture Anna's quirks and mannerisms and the seasoned actress successfully convinces us that a 15-year-old girl embodies her 41-year-old frame: she slouches a bit when she walks, sits down ungracefully, talks really fast and slams her bedroom door a lot. Of course, like any teen, Anna can't resist but give her mom a bit of an edge with a fresh choppy hairdo and trades in her dowdy business suits for a flirty Diane von Furstenberg dress. Lohan (The Parent Trap), meanwhile, acts credibly like a middle-aged adult trapped in a pubescent body; she is confident, articulate and, as someone with a Ph.D, is not afraid to show off her brain. But as the adult, Tess is a little more respectful of her temporary stay in her daughter's body--she ties her long, multicolored hair back to show off her ''pretty face.''

Direction

Director Mark S. Waters, who made his directorial debut six years ago with House of Yes, bounces back from his schlocky 2001 comedy Head Over Heels. Working from Heather Hach and Leslie Dixon's screenplay, Waters manages to salvage the '70s movie's premise but strips away the dated elements (Tess has a career this time instead of being a housewife whose job is doing laundry); its newfound sensibility is what makes this movie so appealing. Both Tess and Anna are kind and sympathetic characters, but in a modern world of cell phones and BlackBerries, they are too preoccupied with their own lives to connect with one another, which is why the switch is exactly what they need. But while much of the film chronicles the crazy adventures and experiences the two characters have in each other's bodies, there are also some very moving moments as Tess and Anna realize that in order to change back into themselves, they must each carry out a selfless act of love. The climax is a tearjerker, but the sap is bearable because you care about the characters and actually want them to bond in that mother-daughter way. The film does wrap up in a cheery, too-quick Hollywood ending but the great performances and endearing storyline make up for any of its shortcomings.

Bottom Line

Director Mark S. Waters whips up a sweet and thoroughly modern version of the '70s movie that caters to young adults without being crass. Propped up by a charming story and strong performances, Freaky Friday is a touching and funny movie for kids, teens and adults.

Movie

FREAKY FRIDAY

Author

anonymous

Date reviewed

2005-10-25 19:12:18

Provider

Review

Hollywood does seem to like remakes but is there really any reason to 'reinvent' a movie that's less that 30 years old? After all the original Freaky Friday only came to our screens in 1976 and it's still a bit of a family favourite. So how do Jamie Lee Curtis and Lindsay Lohan compare to Jodie Foster and Barbara Harris in this movie from director Mark S. Waters?

Like any mother-teenage-daughter relationship, Tess (Curtis) and Annabell Coleman (Lohan) have their ups and downs. Recently though they've been having more downs than ups and the added pressure of Tess's impending nuptials to Ryan (Mark Harmon) certainly aren't helping as Annabell thinks her mum is trying replace her late father. Things come to a head during dinner at a Chinese restaurant one night and before they can say 'lucky fortune cookie', the pair have swapped bodies. Throw in a boy Annabell fancies, an annoying little brother and a gig Anna's band can't miss and it's going to be a fraught few days ahead.

Family films are often very hit and miss affairs. The majority of them tend to pander almost exclusively to their younger fans and, when they do try and engage older viewers, many of the references go way over the heads of their target audiences. Freaky Friday though is good enough to bridge that gap and be enjoyed by all generations.

Films like this must be a godsend for actors, especially those who get to play the young, less mature character during the swop. Jamie Lee Curtis embodies everything one would expect from a stroppy teen while Lohan has to play it straight as the serious maternal influence (and get lovey-dovey with a man she hates).

OK, so this remake not win any Oscars or make any profound social statement but that's fine 'cos it doesn't have any pretention to be anything other than it is - good, old-fashioned family entertainment.