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Gran Torino is a film that will amuse, anger and ultimately move you -- due in large part to Clint Eastwood's sheer magnum force.
Walt Kowalski (Clint Eastwood) is an angry, racist ex-Marine -- recently widowed and living alone with his dog in his old neighborhood, now overrun with mostly Asian gangs. When the next door youth, A Hmong teen named Thao (Bee Vang) tries to steal his beloved Gran Torino, he strikes up a relationship with the boy that profoundly changes both. As Thao and his sister, Sue Lor (Ahney Her) are threatened by gang members, Walt springs into action and sets out to clean up the neighborhood, using his gun and anything else at his disposal. Meanwhile, his son (Brian Haley) and daughter-in-law (Geraldine Hughes) show up trying to convince Dad that it is time to move away from the ever-changing suburb he has lived in for so many decades and try a retirement community, a prospect Walt will have nothing to do with.
Eastwood gives the performance of a lifetime in Gran Torino. You will be reminded of everything that has made him a major star for five decades and astonished at the remarkable new challenges he sets for himself -- even in the sunset of a stellar screen career. Even though Kowalski's language and attitudes verge on the Archie Bunker mentality, Eastwood's dry delivery of such offending lines actually elicits more laughter than outrage. It's almost as if we are looking at what 'Dirty' Harry Callahan might have been like in retirement. His humanity is eventually allowed to shine through, and it's the journey that the actor takes with this character that makes Torino so worthwhile. Amazingly, Eastwood has never won an Oscar for acting but Gran Torino might change things. Of the young newcomers, Vang and Her are sweetly convincing and good foils for Walt's crankiness.
As usual, Clint Eastwood the director paces the drama in a leisurely manner, letting things unfold in its own due time. More than any other recent film he's directed, including his most recent film Changeling, Gran Torino seems defiantly old fashioned in its storytelling. Reportedly, Clint didn't change a word of first-time screenwriter Nick Schenk's script and that does lend itself to some awkward moments , particularly in scenes with the neighbors. Clint has always been interested in different aspects of the race issues in America and here uses a disgruntled Marine to express what is simmering below the surface in many pockets of American life. Although younger audiences may find the film's rhythms rather slow, the ultimate payoff is huge, and Clint fans are likely to eat it up.
Hollywood.com rated this film 3 1/2 stars.
Copyright © CinemaSource 2009.
When Gran Torino was first announced that it would be Clint Eastwood's next outing it was (wrongly) rumoured that it was to feature the return of Dirty Harry.
But while there was no more of that iconic character, Eastwood has arguably managed to craft a new one in Walt Kowalski - a Korean war veteran who has recently lost his wife. Her last wish was for her husband to go to confession with a young priest.
Kowalski however has no time for such matters. Living with his dog, he leads a simple life - walking his dog, getting annoyed at his sons and grandchildren, maintaining his vintage Gran Torino and generally making racist comments at his new Hmong neighbours. It's only when he steps in to thwart his young neighbour from being attacked by a local gang that he begins to look at his own prejudices.
Only Eastwood could play this part and somehow get away with it. Some might find his constant racist jibes jarring but his performance is no doubt a towering one - the ending in particular is stirringly moving.
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