Innocent Voices Review

"Innocent Voices" reviews

Movie

Innocent Voices

Author

anonymous

Date reviewed

2009-10-15 21:58:04

Rating

3.5/5

Provider

CinemaSource

Review

Mexico's official entry for Best Foreign Language Film in 2004 finally gets a U.S theatrical release. This brutally honest and gripping film should not be missed, especially for the fine acting of young Carlos Padilla, though those squeamish about seeing 12-year-olds executed should probably stay away.

Story

Innocent Voices depicts the brutal reality of El Salvador's 1980 civil war as seen through eyes of an 11 year-old boy who may soon get drafted by the army despite not understanding what the war is about. Though both sides were soldiered with young boys, it was the government that actively recruited all 12-year-olds and forced them to fight. Eleven year-old Chava (Carlos Padilla) is about to turn, but that doesn't stop him from trying to enjoy life. Since he's the man of the house--his father left to earn money in America and never returned--Chava wants a job so he can help his overworked mom (Leonor Varela), who quit her restaurant job to stay home and shield her three children from stray bullets. His first job comes when he stumbles upon an old bus owned by a jovial but careless bus driver (Jesus Ochoa). The two become instant friends, as Chava rides the railing and calls out the stops. Meanwhile, he discovers love after summoning the courage to ask the teacher's daughter to fly paper fireflies with his friends. All the while, the moment he has dreaded--his 12th birthday--looms large over his days. His Uncle Beto (José María Yazpik), a guerilla fighter on the run, tries to convince his mother to let Chava live with him in the hills where it's safe, but she can't let him go. Once he turns, Chava must hide with the other boys when the soldiers come around to recruit. But he grows tired of hiding and takes matters into his own hands, running off to join the guerillas where he discovers a fate worse than fighting--that of never seeing his family again.

Acting

Perhaps the strongest element in the film is the surprisingly mature Padilla. Getting a child actor to perform on any level can sometimes be an exercise in futility, but director Luis Mandoki manages to get Padilla able to run the gamut of emotions--joy, fear, the awkwardness of new love--in a very real and convincing way. While most directors would shy away from placing so young an actor into difficult situations, particularly the climactic scene where Chava faces execution and watches his two best friends get shot in the back of the head, Mandoki defies conventional wisdom and challenges Padilla, who is most worthy of the call. As Kella, Varela exudes strength despite her constant worry over her children, particularly Chava, whose arrival home after curfew causes her to feel rage, worry, forgiveness and joy in a matter of seconds. Legendary Mexican actress Ofelia Medina has a small but important supporting role as Kella's mother--she provides her daughter's family with their last peaceful refuge before their lives are destroyed by the army. Minor characters such as Uncle Beto, the Bus Driver and Chava's classmates all serve their purpose, though Xuna Primus, the classmate Chava falls in love with, handles emotional scenes with Padilla with similar maturity.

Direction

Innocent Voices marks the first Spanish-language film for Mandoki since the international success of Gaby-A True Story--and he's back true to form. With Innocent Voices, he has crafted a powerful and emotionally gripping film that never shies from the ugly realities of how war destroys families and makes men of boys well before their time. Sharing screenwriting credit with actor Oscar Torres, on whom the story is based, Mandoki benefits from his strong cast, particularly Padilla; a wrong choice in casting Chava could have sunk the film. Mandoki masterfully lulls us into thinking that Chava might have some hope of living a normal life in El Salvador--he plays with friends just like any other kid. But every time it looks as though Chava is experiencing life as he should, bombs explode, machine guns erupt and soldiers come storming in to remind us that he's living in the middle of a civil war. Ultimately, Chava's only escape is to America, but he must leave behind his family much like his father in the beginning. It's a nice bookend to Chava's development: Despite the chaos around him, his position as head of the family and the specter of being recruited into the army, his real transformation into manhood comes when he finds the courage to strike out on his own.

Bottom Line

Movie

Innocent Voices

Author

anonymous

Date reviewed

2006-08-04 15:00:23

Provider

Review

Innocent Voices is not the first film set among the Central American revolutions of the Seventies and Eighties (Oliver Stone's Salvador was among the most memorable), but it maybe the least outwardly political. It deals with an 11 year-old boy Chava (Carlos Padilla), who supports the left-wing insurgency in El Salvador, but only because he's born into it (his uncle fights with the rebels).

Chava's main concern isn't politics of any shade. It's his next birthday, his 12th, when he becomes old enough to get drafted into the government army. Both sides of the dispute are depicted as gun-happy and politics-free, roaming the countryside demanding support and sustenance at gunpoint. Chava's mother (Leonor Varela) doesn't want to move in case her husband returns and doesn't know where to find her, so Chava bides his time and finds a job of sorts, riding the buses and shouting out the stops. he's streetwise and able to get on with anyone, even a retarded child known as "Fishbrain". When the army does arrive at the school to take him away, he improvises a hiding place.

More than anything Innocent Voices is about the exploitation of children by military forces, who find the young can be moulded into efficient and ruthless soldiers. The point is never laboured and, though it lacks the impact of other films dealing with young Latinos (notably City Of God), Innocent Voices demonstrates the value of simple truths powerfully told.