Into The Wild Review

"Into The Wild" reviews

Movie

Into The Wild

Author

anonymous

Date reviewed

2007-11-16 01:04:28

Rating

3.5/5

Provider

CinemaSource

Review

Based on Jon Krakauer's nonfiction bestseller, Sean Penn's gorgeous, tragic Into the Wild is both an advertisement for wanderlust and a sobering cautionary tale.

Story

In the summer of 1990, after graduating from Emory University with grades good enough to get into Harvard Law, upper-middle-class 22-year-old Christopher McCandless (Emile Hirsch) gave his $24,000 life savings to Oxfam and hit the open road. Christening himself Alexander Supertramp, the idealistic McCandless proceeded to wander the country's highways and byways for two years before striking out alone into the wilds of Alaska. Anyone who's read the Jon Krakauer book knows what happened then, but those who are new to McCandless' story will be holding their breath as his journey progresses toward its sadly inevitable end. The beauty of director Sean Penn's film is the route it takes to get there, introducing viewers to the people Chris touched during his travels and making it clear what he learned about love and forgiveness along the way.

Acting

The success of a movie like Into the Wild depends disproportionately on the talents of its star. Luckily, Hirsch doesn't disappoint. Simultaneously charismatic and aloof, he makes Chris both an enigma and an Everyman. Whether he's exulting in a panoramic view of the Alaskan wilderness, shooting roiling river rapids (impressively, no stunt doubles were used), or learning how to operate a combine machine, Chris/Alex is completely aware--and appreciative--of every new experience life brings him. His quest for truth and authenticity affects everyone he meets, from hippie couple Jan (Catherine Keener) and Rainey (Brian Dierker) to fast-talking entrepreneur Wayne (Vince Vaughn) and lonely leather worker Ron Frazer (Hal Holbrook). Meanwhile, representing Chris' abandoned, conflict-ridden homefront, Jena Malone provides heartfelt, nuanced voice-over narration as Chris' sister Carine.

Direction

Filming Into the Wild was a labor of love for Penn, and his affection for the material shows in every frame. Like Chris, Penn and cinematographer Eric Gautier rhapsodize over sweeping vistas and pristine countryside, lingering on the way sunlight glints on water droplets and the beauty of a freshly harvested field. Penn is in no hurry to tell Chris' tale; he lets it unfold naturally, its rhythm matching the ebbs and flows of Chris' journey. Aiding him every step of the way is the film's powerful soundtrack, which features original music by Eddie Vedder. Whether building momentum or accompanying Chris in moments of quiet contemplation, the film's music is the traveling companion Chris doesn't realize he needs until it's too late. Blending sympathy for Chris' motives with regret for his tragic end; Into the Wild is a thoughtful biopic that's both inspiring and chastening.

Bottom Line

Hollywood.com rated this film 3 1/2 stars.

Movie

Into The Wild

Author

anonymous

Date reviewed

2007-11-02 15:40:30

Provider

Review

Christopher McCandless left his well-off Washington DC parents in 1990, donated the $24,000 intended to put him through law school to Oxfam, and set off in his car until it packed up somewhere around the Nevada-Arizona desert. McCandless eventually wound up in Alaska, having changed his name to Alexander Supertramp.

Sean Penn battled for years to get the rights to Jon Krakauer's document of McCandless' tale, Into the Wild, and it's tempting to see something of the dissident Penn in this true story of a young man who abandons his privileged background for a life in the wilderness. McCandless (Emile Hirsch) disowns his parents, against whom he nurtures a disproportionate grudge. At one point, an ageing hippy he meets in the desert, played by Catherine Keener, tells him he looks "loved" and encourages him to "be fair" to his folks (played by William Hurt and Marcia Gay Harden in scenes rather lacking in spark). Although his resentment against them dims (he reverted back to his real name in his writings), he's determined to continue without them, and it's impossible to escape the feeling that McCandless is a victim of his own bull-headed arrogance. In Alaska, "And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual revolution." Much as you might admire his spirit, it's impossible to like someone so apparently wracked by misanthropy.

Although it's peppered up with entertaining bit parts (as well as Keener there's Vince Vaughn as a shady-looking farmer who briefly employs McCandless) Into The Wild is way too long at almost 150 mins, and Penn wants to treat his subject as equal parts tragic and heroic. The story drifts appropriately, though you sense Penn grappling for the big, defining statement that's just beyond his reach. Still, he gives it an epic feel worthy of the voyage McCandless makes and while you might be left longing occasionally for a more cynical, wary eye, Penn's undoubted passion sweeps all in its wake.