Pride And Prejudice Review

"Pride And Prejudice" reviews

Movie

Pride And Prejudice

Author

anonymous

Date reviewed

2006-03-02 01:36:32

Rating

3/5

Provider

CinemaSource

Review

It's true Jane Austen's lush and romantic Pride and Prejudice has been adapted too many times to count, but this latest film version can take pride in being one of the best.

Story

Considered the most popular of Austen's novels, Pride and Prejudice examines the class struggles of England's 19th century. It revolves around the spirited Bennet family: the headstrong and intelligent Elizabeth (Keira Knightley); her older and more serene sister, Jane (Rosamund Pike); their three younger sisters (Jena Malone, Talulah Riley, Carey Mulligan); their doting father (Donald Sutherland); and their mother (Brenda Blethyn), who's obsessed with finding the girls suitable husbands. When Lizzie finally meets her match in the aloof Mr. Darcy (Matthew MacFayden), she immediately dismisses him as an arrogant ass. But ever so slowly, it dawns on Lizzie she may be entirely wrong about Darcy. Is it too late to tell him?

Acting

An Austen adaptation naturally lends itself to a gathering of fine British actors (or actors who can pretend to be British). Leading the pack is the very lovely Keira Knightley. A far cry from the shotgun-totin' bounty hunter in Domino, the actress certainly gives her most layered performance as Elizabeth. But she's once again playing a spirited woman who doesn't adhere to the rules. Guess nobody's gonna ever put Keira in a corner. As her Mr. Darcy, MacFayden plays one of literature's more enduring romantic figures with style. He gives Colin Firth--who's considered one of the better Darcys after playing him in a 1995 TV miniseries--a run for his money. The rest of the stellar cast is just as refreshing as ever, including Pike (Doom) as the modest beauty Jane, and Sutherland as the elder Bennet, who is the reason Elizabeth is as independent as she is.

Direction

This feature film adaptation of Pride and Prejudice is entirely different from the last one--the 1940 glossy production, starring Greer Garson and Laurence Olivier. Newcomer Joe Wright gives Pride and Prejudice a definitive indie feel by using the camera in very intimate ways as we watch the fun-loving Bennets interact. Of course, filming in the flourishing English countryside doesn't hurt either. Wright delivers amazing displays of breathtaking beauty, from Elizabeth standing on a cliff in Brighton to watching Darcy stride across a field at sunrise to claim his love once and for all. Pride and Prejudice does move a little slowly, and it isn't as rich as the 1995 Oscar-winning Sense and Sensibility, but it's been awhile since we've had Austen done in such a wonderfully romantic way. And who couldn't use a little 19th-century romance?

Bottom Line

Hollywood.com rated this film ***

Movie

PRIDE AND PREJUDICE

Author

anonymous

Date reviewed

2005-10-25 21:09:37

Provider

MRIB

Review

Sense And Sensibility was the last hurrah for the English cinema costume drama, and now Joe Wright has set about reviving this former cinematic standby with Pride And Prejudice, which also takes Jane Austen as its source. It did, of course, make it to the TV screen ten years ago, with Colin Firth and Jennifer Ehle taking the roles now occupied by Matthew MacFadyen and Keira Knightley.

And it's on Knightley's appeal, one suspects, that the fortunes of this film will rest. Despite the success of Pirates Of The Caribbean, so far her triumphs have been more pronounced in men's and movie mags, where her porcelain good looks have consistently seen her voted among the world's sexiest women. But she's never had a role to push herself into the acting big league and, after her appearance here as Elizabeth Bennet, the jury's still out. She's not a natural for the role, anyway, being too beautiful and too innocent, but she handles the material with confidence and should emerge unscathed, if not yet a true star.

MacFadyen, however, steals the show as Mr Darcy, the bristling, brooding lover and the haughty hero of the piece. MacFadyen plays him as insecure and diffident, a sex god unaware of his own divinity. It's a riveting performance and one that deserves to pull the crowds for what is otherwise a very straightforward adaptation of familiar material.

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