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Billy Madison cries? Who knew?! In Reign Over Me, Adam Sandler's casting isn't the only thing that's odd, but it's hard not to be moved in some way.
While not a "9/11 movie," nor attempting to be, Reign Over Me sheds light on a different kind of post-September 11 rubble than what we're used to seeing dramatized: The emotional rubble. On that fateful day, Charlie Fineman (Adam Sandler) lost his wife and daughters--and he pretty much died also. Ever since, he has shut himself out from New York City and the city from him, unable to move on with his life or recall anything from 9/11 or before it. His old college roommate, Alan Johnson (Don Cheadle), leads a completely different life professionally and domestically, but he struggles with the ennui of success at dentistry and marriagethanks to a sex-crazed patient (Saffron Burrows) and an overbearing but well-meaning wife (Jada Pinkett Smith), respectively. After bumping into Charlie, who claims not to remember him, Alan strikes up a relationship with his old buddy and tries to help Charlie start anew and come to terms with the past. And while Alan pities Charlie, he simultaneously envies his unparalleled freedom.
Even though Reign will make a good chunk of its money on speculation tickets bought by Sandler fans, it is obviously something different from what we've come to expect from the God of Goof. His performance is not without Sandler-isms, but the overall immaturity is impressively kept in check, and Sandler delivers most when his character's emotions peak. Still, it's impossible not to wonder how much more a different actor could've soared in the role, even if partly because Sandler's quick-to-giggle audience precedes him. Conversely, there is virtually no role unbefitting Cheadle, which he further proves in Reign. It's not gaudy like Hotel Rwanda, and he's not necessarily the lead here, but Cheadle, as always, lends so much effortless authenticity. The formidable supporting actors all serve their purposes, even if a few of their characters are somewhat dubious. In addition to Pinkett Smith and Burrows, whose supermodel-like beauty is frankly a bit distracting from her character's complexity, Liv Tyler (as the shrink enlisted to help Charlie), Donald Sutherland (as a judge), writer-director Mike Binder (as Charlie's accountant) and The Office's B.J. Novak (as a lawyer) also co-star.
In concept, Reign Over Me is awfully intriguing, a different take on the still-unfolding aftermath of September 11. But 9/11, no matter how scant the references, remains a very slippery slope. Ultimately, the only way to come to grips with writer-director Binder's 9/11 tie-in is to concede that it makes the story more contemporary and less fictional. It's just difficult to conclude whether it is more or less admirable to use that day as a mere backstory for a movie. But Binder's story is certainly well intentioned and ambitiousmaybe too ambitious, as is often a director's weakness. Binder (Upside of Anger) tries to cramp into his dramedy far too many elements, and while never exactly a failure, the result can be weird. Too many metaphorsincluding the title, taken from the Who song that Charlie often listens to on his headphonesand character flawsthe screenplay kind, not the real-life kindsend the movie up and down tonally. Binder does, however, paint a vastly warm, luminous NYCa character all its own, rightfully so.
Hollywood.com rated this film 2 1/2 stars.
Copyright © CinemaSource 2007.
9/11 movies have been surprisingly thin on the ground. We've had Oliver Stone's disappointingly simplistic World Trade Center and little else, until now.
Reign Over Me uses that tragedy as its backdrop and then takes the film somewhere else entirely. Adam Sandler stars as Charlie Fineman, a successful dentist whose life is turned upside down when he loses his wife and three daughters in one of the planes that left Boston that fateful day. He's been suffering post-traumatic stress and is even unable to recognise old friend Alan Johnson (Don Cheadle) with whom he has a chance encounter one day in New York.
Cheadle is going through a mid-life crisis of his own, albeit far less serious. He's uninspired with his respectable life, frustrated with his unfulfilling relationship with his wife (Jada Pinkett-Smith) and so leaps at the chance to enter Fineman's newly found world of rock music (he spends most of his time locked alone with his old records and playing drums in a punk band, sporting the sort of unkempt curly top Bob Dylan once wore). Although Johnson's motivations have much to do with his desire to rekindle his lost youth, he's also grown-up enough to realise Fineman is in need of help, and so persuades him to see a psychiatrist (Liv Tyler).
Director Mike Binder has a somewhat random approach to story-building, and although there are strands which do stretch credulity a little, his refusal to use his characters (or, at least his male ones) as cyphers makes Reign Over Me refreshingly unpredictable at every turn. A strong support cast (Donald Sutherland, Saffron Burrows), Cheadle as wonderful as ever (he is quite simply one of the best 'straight guy' actors in Hollywood) and Sandler confirming what Punch Drunk Love hinted - he can do drama - all adds up to a film that tells a moving story without resort to histrionics or cloying sentimentality.
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