Saw IV Review

"Saw IV" reviews

Movie

Saw IV

Author

anonymous

Date reviewed

2009-11-02 22:16:29

Rating

1.5/5

Provider

CinemaSource

Review

Another Halloween, another Saw. Number IV continues the decline of a franchise whose quality was never high and a flash-in-the-pan sub-genre that is scraping its grave—even if the box office figures beg to differ.

Story

Jigsaw (Tobin Bell), is it you? Back from the dead? Well, sorta. In the fourth installment of a franchise seemingly headed for double digits, the villain is indeed dead—and in case he wasn't already, coroners make a "Gotcha!" moment all but impossible. Saw IV begins with the opening-up of John Kramer, aka Jigsaw, in a scene straight out of HBO's Autopsy. After methodically de-braining the killer, coroners go straight for the gut—ours and Jigsaw's—removing his stomach, which turns out to house an audiotape. Natch. The homicide unit is called in to listen to the tape, on which Jigsaw claims his "work will continue," "The games have just begun," and other sweet nothings. At which point Detective Hoffman (Costas Mandylor) concurs: The games have begun. Before long, Hoffman finds himself involved in a way he'd probably never hoped for, leaving his workaholic partner, Detective Rigg (Lyriq Bent), to rescue him and possibly a still-hanging-after-six-months Eric Mathews (Donnie Wahlberg). Here's the bad news, though: He's only got 90 minutes.

Acting

Jigsaw may finally be dead, but Tobin Bell graces Saw IV with his presence quite a bit—via flashbacks. This installment is heavy on backstory, filling in all those unanswered questions of how an engineer named John Kramer—who regularly appeared on the covers of business magazines!—became a madman with morals, thus leaving no shortage of Bell. Just like the three Saws prior, Bell is uber-creepy (especially vocally), but his scariest scene is the first, in which you're expecting his lifeless, dissected remains to pull a Michael Myers. Elsewhere, the actors seem like they downed too much Red Bull to get amped up. Bent (Saws II and III), the chief guinea pig this time around, occasionally makes for an exciting scene but never a realistic one, although his overreactions fit in with the kind of high tension Saw IV is hoping for. Mandylor (Saw III), meanwhile, is exciting and somewhat credible when able to speak, but that doesn't exactly last very long. And Saw rookies Scott Patterson (TV's Gilmore Girls) and relative newcomer Athena Karkanis, both starring as FBI profilers dragged into the mess that is Jigsaw's wrath, are more ''TV show'' cops than anything.

Direction

The book on Saw IV is pretty straightforward: If you dig torture porn and have already been sucked into the Saw machine, there's no radical shift into quality filmmaking in the fourth installment that will deter you. Likewise, nothing here will convert anyone who hasn't kept up with the franchise, especially since some knowledge of the first three is very helpful. Director Darren Lynn Bousman, whose next movie (Repo! The Genetic Opera) is a horror musical starring none other than Paris Hilton—now that's a scary concept—pretty much sticks with what (apparently) works. It's all nifty quick cuts all the time, the type of dizzying gimmickry that is evidently favored by Saw fans. And there's also plenty of over-the-top gore to go around, of course; all the staples are here. The shame is that, aside from the first Saw being somewhat inventive for creating a sub-genre, there is always a slightly psychological aspect to the story. But lest we be intrigued instead of disturbed, that side of the script, from Project Greenlight winners/Feast co-writers Marcus Dunstan and Patrick Melton, doesn't come close to being explored.

Bottom Line

Hollywood.com rated this film 1 1/2 stars.

Movie

Saw IV

Author

anonymous

Date reviewed

2007-10-19 14:40:34

Provider

Review

The fourth in the hugely successful Saw franchise - which opens just in time for Halloween - sees grizzly serial killer Jigsaw working his demonic deeds from beyond the grave and another series of blood-splattered murders right from the off.

With Darren Lynn Bousman - also behind the second and third film - directing again, and the chilling Tobin Bell returning to his role as the ultimate Hollywood anti-hero, horror fans will be screaming into their well worn duvets.

FBI Agents Strahm and Perez help Detective Hoffman unravel the murder of Detective Kerry. Meanwhile SWAT Commander Rigg (Lyriq Bent), the only local officer who has yet to experience Jigsaw’s signature style is suddenly abducted.

Thrust into the brilliantly portrayed madman's game, he only has 90 minutes to overcome a devilish series of interconnected traps. Rigg's city-wide pursuit leaves a wake of dead bodies, while Hoffman and the FBI uncover buried clues that lead them back to Jigsaw's ex-wife Jill (Betsy Russell).

Writers Patrick Melton and Marcus Dunstan have helped Bousman access the darkest recesses of his imagination for this torture filled fright-fest. That, coupled with moral quandaries and torture-filled traps, make Saw IV a stimulating horror romp.

While interest in most movie franchises normally dwindles by the third film, here the tension is as jagged as ever and the goriness more gruesome than before. A box office top spot is assured.