Saw Review

"Saw" reviews

Movie

Saw

Author

anonymous

Date reviewed

2009-10-30 22:20:41

Rating

3/5

Provider

CinemaSource

Review

What would YOU do, if you woke up to find yourself chained up to filthy urinal pipes with no clear way of escape--other than the method implied by the hacksaw found in a grimy toilet? 'Tis the question faced by two bewildered captives in the grisly Saw.

Story

Adam (Leigh Whannel) wakes to find himself chained to a rusty pipe inside a decrepit, filthy bathroom that would make a port-o-potty look like the can at the Ritz. Chained to the opposite side of the room is another disoriented captive, Dr. Lawrence Gordon (Cary Elwes). The only other man in the room lies between them motionless in a pool of blood with a .38 in his hand. A tape recorder on the floor nearby contains instructions from their unseen captor, a serial killer known as ''Jigsaw,'' whose M.O. is to trap people and offer them terrible choices to get free--one woman's head is encased in a bear trap that will open in reverse if she doesn't dig the key out of her living companion's stomach, another victim has seconds to extricate himself from razor wire (hint: he doesn't make it). Here, Gordon must kill Adam by 6 p.m., or his wife and daughter die. With only a few hours and fewer clues to unravel the elaborate puzzle of their fate, their terror and suspicions mount, especially when they find two hidden handsaws--too weak to cut their steel shackles, but strong enough to hack through flesh and bone.

Acting

One imagines director James Wan was pulling a Tarantino in casting Cary Elwes in the lead to give him a comeback a la John Travolta. Having coasted on the fairy tails of The Princess Bride for years, Elwes' films of late have included such laudatory efforts as Ella Enchanted and something called The Cat's Meow--perhaps Westley's been on a quest for a good script for the last 17 years. In any case, he's found one in Saw and turns in a passable effort, other than occasionally dropping his American accent for a British inflection here and there and chewing the scenery admirably when faced with the hair-raisingly gruesome choices he must make. His potty pal, however, doesn't fare so well. Whannell co-wrote the script, and some of the lines he's given himself to say are more frightening than any serial killer M.O. could be: When Gordon asks him what his name is, he barks, ''What's my name? Right now my name is Pretty Fucking Confused, what's yours?'' Danny Glover, too, unintentionally elicits a guffaw here and there without meaning to, shambling through his role as a cop obsessed with the Jigsaw killer for, really, no apparent reason.

Direction

For his first-time effort, James Wan gets extra kudos for turning in a tightly wound, well-filmed little horror pic that will no doubt earn Lions Gate tons of dough like the Blair Witch Project did for Artisan in 1999--Saw has just that sort of buzz about it (gnuk, gnuk). You'll probably have heard the warranted complaints that it's derivative of Se7en by way of Cube with a bit of The Cell thrown in, and the end, while you may not see it coming, is waaaaay over the top. Still, you can't help but admire a mind that can concoct the visuals depicted here--they're rudely graphic and in-your-face, without being on the surface as bloody as say, your typical slasher flick. Wan missteps in his casting, some of the camerawork is way overdone and the marionette is a scream (laughingwise, that is…you'll get it when you see it)--less is more, in some cases--but overall, it's a brutal, vicious, well done psychological thriller that will leave you disturbed for days.

Bottom Line

If you like your horror movies graphic, grisly and gore-rific, see Saw.

Movie

SAW

Author

anonymous

Date reviewed

2005-10-25 21:37:36

Provider

Review

The horror genre seems to be awash with remakes and reimaginings these days, a situation which has left connoisseurs of the genre longing for some originality. Well, that can certainly be found in director James Wan's new film.

When Adam (Leigh Whannell - who also wrote the film) and Larry (Cary Elwes) wake up and find themselves chained to the wall of a grimy public toilet, little do they know what's in store for them. The pair have just become the latest victims of a man dubbed Jigsaw, a psycho serial murderer who has his own take on the art of killing. Soon secrets are revealed and gruesome choices must be made if either man is to make it out of this 'game' alive.

With that description we've tried not to give too much away so, to hardened fans, the movie may sound a bit weak. But believe us when we say that not since David Fincher's Se7en has a film been so dark and disturbing yet utterly compelling.

This really is the stuff nightmares are made of, as director Wan teases his audiences with half truths and glimpses of horror before unleashing the film's full fury. Jigsaw may just be one of the most creative and inventive killers ever to reach the screen and the position he puts his latest victims in is bone chilling. You can almost imagine Wan and Whannell sitting at the back of a cinema laughing heartily, as their movie terrifies audiences.

To break the tension slightly we are also privy to the investigation carried out by two cops (Danny Glover and Ken Leung) as they try to unravel Jigsaw's evil masterpiece and a side plot involving Larry's family but ultimately you want more of the two men trapped together, contemplating their fate.

People will be talking about this jaw-dropping movie for some time.