Shall We Dance? Review

"Shall We Dance?" reviews

Movie

Shall We Dance?

Author

anonymous

Date reviewed

2008-03-24 23:30:15

Rating

2/5

Provider

CinemaSource

Review

In a remake of the Japanese hit film of the same name, Shall We Dance? tells the story of a middle-aged man who discovers that ballroom dancing is just the thing that's been missing in his life. Uh-huh, sure. It's mushy fluff, for sure, but is also surprisingly appealing at times.

Story

John Clark (Richard Gere) has a pretty good life--a successful career; an adoring wife and two wonderful kids. Yet, something isn't quite right. He and his wife, Beverly (Susan Sarandon), have a strong and loving marriage, but John feels restless and unfulfilled, as he wades through his mind-numbing daily routine. Then, one day, while on the train home, he happens to spy a beautiful dance instructor, Paulina (Jennifer Lopez), staring forlornly through the window of Miss Mitzi's dance studio. Haunted by her gaze, John impulsively jumps off the train and signs up for ballroom dance lessons, unbeknownst to his wife. Suddenly, John is exposed to a world he never imagined--a place filled with grand passions, bitter rivalries and exhilarating dance, relishing the moments he spends waltzing, rumbaing and tangoing with his newfound friends (don't we all). But John soon discovers that it isn't enough to have a secret passion--the best part is sharing it with the ones he loves. Pour chocolate syrup over this one and call it done!

Acting

Gere's sure got happy feet these days. First, the guy dropped jaws when he actually tap danced his way through the Oscar-winning Chicago. Now, there's Shall We Dance?. What's next? Gene Kelly's part in Singin' in the Rain? In all fairness, Gere plays John as an ordinary but charming middle-aged man who also just happens to have an affinity for ballroom dancing. It isn't in any way a stretch for the charismatic actor, but he does have an uncanny ability to draw you in once he glides across the floor and flashes that sexy smile. As John's patient wife, Sarandon doesn't go out on a limb either, exuding her usual warm intelligence. As a married couple, Gere and Sarandon do an excellent job keeping things refreshingly grounded. It's a marriage you immediately recognize--they've been together for so many years they've developed a loving familiarity, but are trying to find ways keep it exciting. The supporting cast also do a great job livening up the proceedings, including Lisa Ann Walter (Bruce Almighty) as the been-around-the-block ballroom dancer Bobbie and Stanley Tucci, whose turn as Link, a lawyer by day/salsa dancer by night, is hilarious. Of course, the one you really want to watch dance is Jennifer Lopez, who sure does know how to sashay her way around her partners. Unfortunately, when not dancing, the rest of Lopez's performance is fairly stiff. Her sad sack story about some tragic past and losing her desire to dance competitively is just plain dull.

Direction

Once again, Hollywood has no time to think of anything original, simply remaking other classics--in this case, the smash Japanese hit Shall We Dance? (Dansu Wo Shimasho Ka), written and directed by Masayuki Suo. Instead of concentrating on the Japanese culture and their taboos against the public intimacy of dance, writer Audrey Wells (Under the Tuscan Sun) and director Peter Chelsom (Serendipity) find a way to give the story a good all-American spin, concentrating on marital malaise and finding a way out of a personal abyss. That's all fine and dandy and gives the film a unique perspective; the problem is the subject matter: ballroom dancing. There have only been a handful of movies about that art form that have worked--the Japanese original just mentioned and Baz Luhrmann's Strictly Ballroom are two good examples. Maybe it's nice to go back to that old-fashioned age when Lawrence Welk's orchestra and dance partners brought the family together. But in this electrifying, hip-hop age of MTV--with the writhing and the shimmying of nearly naked bodies on the primetime small screen--ballroom dancing seems a little, er, outdated.

Bottom Line

Despite a uplifting look at a marriage in trouble, sparked by winning performances from Richard Gere and Susan Sarandon, Shall We Dance? never seems to rise above its syrupy premise and ballroom antics.

Movie

SHALL WE DANCE

Author

anonymous

Date reviewed

2005-10-25 21:09:36

Provider

MRIB

Review

Will this be the film that finally salvages Jennifer Lopez's dwindling movie career? Despite possessing the finest rear in Hollywood, Lopez has endured a nightmare run of flops at the worldwide box office (admittedly mostly thanks to her ex Ben Affleck's intervention, Gigli anyone?). So here she's taken the safe route by teaming up with evergreen rom-com stud Richard Gere.

Gere plays John Clark, a bored, if over paid, white-collar worker who writes wills for the deceased until he catches sight of a stunning dance instructor named Paulina (Lopez) and finds himself haunted by her beauty. That's Clark's cue, complete with his two left feet, to sign-up for dance classes and become eventually embroiled in a Karate Kid style dance competition. However, what will Clark's wife Beverley (played by Susan Sarandon) think of his new found hobby especially when she catches wind of his rather lovely teacher?

As feel good movies go this one hits most of the right buttons without ever even threatening to stray from the traditional rom-com formula. The shamefully underused Sarandon gives a typically gritty performance as the suffering wife, but as far as both Lopez and Gere go this is quite simply a movie-by-numbers. Fine for that belated Valentine's cinematic treat, but hardly up there with classic rom-coms such as Pretty Woman. The somewhat forced ballroom-esque dancing meanwhile isn't likely to inspire a Fame-style dance epidemic either.

Shall We Dance? Review