Stranger Than Fiction Review

"Stranger Than Fiction" reviews

Movie

Stranger Than Fiction

Author

anonymous

Date reviewed

2007-04-02 21:27:39

Rating

2/5

Provider

CinemaSource

Review

Stranger Than Fiction has the pedigree to be quirkily great. For some people, that will be enough to trick themselves into loving it. But the non-fiction here is that the greatness begins and ends with the movie's marvelous title.

Story

After starting what he thinks is just another day by methodically brushing his teeth the way he always does, IRS Agent Harold Crick (Will Ferrell) gets a visit from an uninvited auditory guest--Kay Eiffel (Emma Thompson), the author of his life. Little does she know while writing a book about a character named Harold Crick that the real Harold can hear her narrations loud and clear; little does Harold know that her novels don't have happy endings--that is, until he hears it in her narration, which states that he is to die. Luckily, she's in the midst of writer's block, so he has some time to find out, well, how much time he has to live. He immediately consults a literary professor (Dustin Hoffman) who instructs Harold to further pursue a relationship with an anarchistic baker (Maggie Gyllenhaal) he is currently auditing in order to learn more about the course the novel will take. The relationship flourishes and he's happy for the first time in a long time, but will art imitate--or end--his life?

Acting

Ferrell seems to be mimicking the exact path of his direct comedic-superstar predecessor Jim Carrey, even down to his first serious-ish role: Carrey's first dramatic foray was the equally quasi-existential, though much better, Truman Show. Ferrell has no problem whatsoever making the transition--that's just what abundant natural talent affords certain actors. But his crossover attempt should've been more subtle since audiences have come to expect at least one "streaking" scene per Ferrell film. As Ferrell's heavily tattooed love interest, the ubiquitous Gyllenhaal scores again. Fresh off roles as a stripper single mom (Sherrybaby) and a frantic, pregnant 9/11 wife (World Trade Center), she proves that no matter her character's physical appearance or mindset, she can do no wrong. Ditto for Thompson, who spends much of the film in pajamas and the throes of writer's block--the ''writer'' prototype--much to the dismay of her publisher-appointed assistant, played well by Queen Latifah. Rounding out the cast is Hoffman, whose professor isn't totally unlike his answer provider in like-minded I Heart Huckabees. His character's quirky humor is child's play at this point for the veteran, but a select few scenes between him and Ferrell are extremely satisfying.

Direction

To liken Stranger Than Fiction to a Charlie Kaufman (Eternal Sunshine of the Spotless Mind, Adaptation, et al) script/movie is not totally without merit. Fiction captures the "vivid yet distant" essence that is common with Kaufman's stories and subsequent movies. But whereas Kaufman doesn't go out of his way to coddle audiences' minds amidst his often obtuse movies, writer Zach Helm and director Marc Forster seem to have audience appreciation (read: box office) on the brain. Helm's idea is nothing short of genius in a way that's different from the oft-mentioned screenwriters he's compared to, but somewhere en route he and/or Forster (Finding Neverland) compromised the vision. Because what starts out as a complex, intriguing movie turns stale quickly, especially given the inexplicable ease with which it transitions from a metaphysical story into a straightforward one. And Forster's tendency in the movie to undercomplicate is just as detrimental as the opposite extreme. The dialogue also falls somewhat flat, often neither funny nor off-kilter enough, buoyed only slightly by superb cinematography, set direction and indie music featuring Spoon (whose frontman, Britt Daniel, reworked some of their best songs for the movie)--but we've come to expect that trifecta from similar movies.

Bottom Line

Hollywood.com rated this film 2 stars.

Copyright © CinemaSource 2007.

Movie

Stranger Than Fiction

Author

anonymous

Date reviewed

2006-11-24 16:01:26

Provider

MRIB

Review

Will Ferrell takes a diversion from his frat-house comedies to try his hand at the kind of existentialist drama Jim Carrey tackled so superbly in The Truman Show and Eternal Sunshine Of The Spotless Mind. Though the material doesn't quite measure up to those two landmarks of imaginative story-telling Stranger Than Fiction is another hit for Ferrell, as he provides a more nuanced comedy delivery that he first exhibited in Melinda Melinda.

Harold Crick is a routine-obsessed tax inspector with no friends and no life to speak of. Harold brushes his teeth with the exact same number of strokes each time, but now a voice in his head counts them out and then proceeds to describe virtually every other move he makes throughout his day. Only with an academic (a superb Dustin Hoffman) does a solution begins to transpire. Unfortunately, so does the disturbing news that the narrator is writer Kay Eiffel, who's notorious for killing off her leading characters. Crick's well-ordered world starts to turn around and around - dizzying him into romance, emotion and a cornucopia of life lessons.

Emma Thompson plays the novelist with customary gusto and Ferrell's accomplished, though slightly thin. He seems unable to get to grips with a role that doesn't revolve around the usual ticks that have taken him from Saturday Night Live to Hollywood stardom. The script is clearly overshadowed by the work of Charlie Kaufman (writer of Adaptation and Eternal Sunshine...), and though in the realms of a fable it never really getting beyond the admittedly brilliant premise of 'Wouldn't it be weird if we made a movie about a guy trapped inside a novel?'.

Director, Marc Forster injects Stranger Than Fiction with a surfeit of zing and zip - garish colours, off-kilter camera angles and familiar references. It's a film that veers so well away from the Hollywood norm and then gives up the ghost in the final reel. Still an easy way to grab some thoughtful, quality cinema time though without feeling like your heads going to implode.

Copyright © MRIB 2006.