The Unborn Review

"The Unborn" reviews

Movie

The Unborn

Author

anonymous

Date reviewed

2009-10-30 22:20:41

Rating

2.5/5

Provider

CinemaSource

Review

This supernatural thriller about a malevolent spirit rarely capitalizes on its potential.

Story

Attractive college co-ed Casey (Odette Yustman) finds herself the target of the diabolical Dybbuk, a spirit which has bided its time since her birth to make its nefarious presence known. Is it perhaps a manifestation of her twin brother, who died in the womb all those years ago? Since dear old Dad (James Remar) is away on business -- seemingly for the entire length of the movie -- concerned Casey seeks answers from Sofi Kozma (Jane Alexander), a survivor of the Holocaust who may hold the key to Casey's past. Needless to say, those to whom Casey confides her fears often find themselves in danger of being offed in gruesome fashion. (Misery may love company, but the Dybbuk doesn't.) In a last-ditch effort to rid herself of the evil spirit, Casey turns to Rabbi Sendak (Gary Oldman), who finally agrees to perform an exorcism after he, too, sees the signs.

Acting

Aside from acting terrified (and looking good doing it), Yustman (Cloverfield) is totally at the mercy of the story, which shows little mercy when it comes to providing any concrete (or even shaky) answers to the questions raised in the storyline. She's attractive and not unappealing, but there's not much else to the character. As Casey's respective boyfriend and best friend, Cam Gigandet (Twilight) and Meagan Good (Saw V) are merely functionaries, offering the typical mixture of skepticism and support before learning for themselves -- too late, of course! -- that maybe Casey's suspicions have validity. Adding a (misplaced?) touch of class to the proceedings are Oldman, who doesn't embarrass himself, and Jane Alexander, who isn't so fortunate. It's also a wonder why Carla Gugino, seen occasionally in flashback as Casey's deceased mother, even bothered. It's a nothing role, which might explain why the actress has no billing other than in the end credits.

Direction

There's no question that writer/director David S. Goyer has a deep love and appreciation for horror and science-fiction, given his previous credits, which include the scripts for Dark City, Blade and The Dark Knight, but as a director his work (which includes Blade: Trinity and last year's The Invisible) leaves much to be desired. There are some good ideas here, and some individual scenes are reasonably effective, but there's no sense of cohesion. The parts don't add up to a satisfactory whole. The Unborn suffers from a botched delivery.

Bottom Line

Hollywood.com rated this film 2 1/2 stars.

Movie: Unborn, The
Author: anonymous
Date reviewed: 2009-02-27 14:24:59
Rating: 1/5
Provider
Review: David S. Goyer's career is certainly one to ponder. For, despite his involvement in Christopher Nolan's "Batman" beginnings, there's always a sizeable "Blade Trinity" blemish on his CV. If, for every success, we're to be short-changed with an absolute cinematic reject then its time to start considering a refund for time spent in front of his output. For "The Unborn" is, at best, an abortive horror; at worst, a turkey the size of which has nary been seen in these parts for quite some time!

Odette Yustman, the next Megan Fox apparently (so soon!), stars as Casey - you know the type, ridiculously attractive college student beset by alarming visions. It would seem that Casey was a twin whose baby bro died in utero. Aggrieved by his sudden, and premature demise, Jumby (his 'charming' moniker as a foetus) finds an ally in a demon, or dybbuk (stay with me here), who wanders the interim place between our world and the next. This dybbuk wants to be born so sets about Casey, her family and friends with wild abandon in an effort to break into our world. As you do. And it's just as well really, as all involved in this debacle do themselves no favours.

"OC" star Cam Gigandet, here playing Casey's boyfriend, is fast making a habit of collecting these one-tone characters. Idris Alba, last seen in "RocknRolla", pops up as a priest/expert in exorcisms and runs hard and fast into cannon fodder territory. Only a cameoing Gary Oldman lends this venture any kind of credence - the material here as adolescent as anything he's encountered before but just his sheer presence is enough to guarantee this as a '1 star' review.

Goyer, in all his wisdom, has pitched his tent for Exorcist-lite scares but can only raise the odd scare with child-like, cliched methods. To wit; girl opens mirrored cabinet, there's nothing there - girl closes cabinet...what's that behind you!!! "The Unborn" is about as scary as that last sentence. In fact one thinks that Goyer realised the horribleness of his material and instead contrived more scenes in which Yustman is fetishised over in nought but her pyjamas. If only more care was given to generating actual scares.
Copyright © 2009.