Underworld: Evolution Review

"Underworld: Evolution" reviews

Movie

Underworld: Evolution

Author

anonymous

Date reviewed

2009-01-21 21:52:58

Rating

1.5/5

Provider

CinemaSource

Review

A war between vampires and werewolves was sort of cool once. But twice?

Story

In this unnecessary sequel, we take up where we last left off, with kick-ass vampiress Selene (Kate Beckinsale) and newly formed vampire-werewolf hybrid Michael (Scott Speedman) on the run after offing all the baddies in the original Underworld. And now, because of their shenanigans, there's a new psycho in town: Marcus (Tony Curran), the very first vampire (he's got wings and everything), who wakes up from his slumber to wreak havoc. His plan is to release his captive twin brother, who is conveniently the very first werewolf and the reason the war started in the first place, so the twosome can come up with a new breed of blood-hungry monsters and take over humanity. Boy, the things us human don't know about… Mankind's only hope is Selene and Michael, who set out to stop Marcus so they can, in turn, become the future of vampires and werewolves everywhere. Part three anyone?

Acting

Word is still out on whether Kate Beckinsale has bite. She started out promisingly enough in the delightfully quirky Cold Comfort Farm and Whit Stillman's The Last Days of Disco, but save for a few choice indies, her film selections have since gone downhill, including a stint as the sorely miscast Ava Gardner in The Aviator. As Selene, the actress looks every bit sexy-cute in black leather, with little vampire teeth and soulful eyes that go from dark to blue, depending on how vampiric she gets while she deftly wields firearms. But Beckinsale appears to be going through the motions for the sake of a paycheck. Same goes for Speedman. As Selene's counterpart--and, as we find out in Evolution, her lover--the actor mostly stands around, gets mad, turns all hybrid on us and rips other werewolves' heads off. Anyone can do that. And what in the hell is veteran British thesp Derek Jacobi doing in this, playing the bad brothers' immortal father? Shame on him.

Direction

Len Wiseman, Beckinsale's hubby and Underworld's original director, takes the reins once again, but it doesn't look like the helmer learned much from his first experience. It's the same old, same old. Is it me or are these vampire movies starting to all look alike? The Blade series, Van Helsing--all that dark, foreboding and usually wet environs is just getting tiresome. Plus, you can never exactly see what's going on, or who's beating the crap out of who. Come to think of it, that's probably intentional. In any event, Underworld: Evolution is simply pointless. The film's original concept--a sort of Romeo and Juliet between vampires and werewolves--is indeed intriguing, but to go beyond that is redundant. No, it's obvious Evolution is a case of greed, a sequel drummed up because studio execs believe they can milk more money out of the fans of the original movie. I don't think its going to work out as well the second time around.

Bottom Line

Hollywood.com rated this film 1 1/2 stars.

Movie

UNDERWORLD: EVOLUTION

Author

anonymous

Date reviewed

2006-02-02 17:01:56

Provider

Review

According to the rule of film, sequels are often a let down. The plot gets a back seat in favour of getting bums on seats. However, there are some exceptions and Underworld: Evolution is a vast improvement of the 2002 $100 million worldwide hit, Underworld.

Casting Kate Beckinsale as the lead in the first film was considered a bold move as some questioned her ability to carry the film. However, the English actress surprised many and deservedly returns as Selene, our vampire heroine.

Evolution pretty much picks up from the original with the war between Death Dealers (vampires) and Lycans (werewolves) raging on. Tracing back to the the roots of the ancient wrangling feud between the tribes, Selene and Lycan hybrid Michael (Scott Speedman) attempt to unlock the secret of their bloodiness, while their forbidden love leads them into a final battle in an attempt to end the saga, culminating in one final act of vengeance.

Unlike the first film, director Len Wiseman (Beckinsale's partner in real life) delivers a faster paced and more intriguing story, especially revealing the personal history between Selene and Viktor (Bill Nighy), father of the modern day vampires.

Beckinsale, once again, brings a quality to her performance, but she deserves better roles than this. Essentially it's a film unable to go much further. However, at least her tighter than tight modern vampire costume will keep male cinema goers happy.