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Walk The Line Review

"Walk The Line" reviews

Movie
Walk The Line
Author
anonymous
Date reviewed
2006-03-02 01:36:32
Rating
3/5 3 stars
Provider
CinemaSource
Review

Walk the Line arguably boasts two of the most dazzling, Oscar-worthy performances of the year from Joaquin Phoenix and Reese Witherspoon. It's just a shame the biopic isn't as brave. After all, Johnny Cash wasn't ''The Man in Black'' just for his wardrobe alone.

Story

The story of the late, great Johnny Cash depicted in Walk the Line is not quite all encompassing. The film dramatizes just one moment in Cash's life: his tumultuous 20s and rise to fame. The young Cash (Joaquin Phoenix), married and straight out of the army, struggles with his music, finally finding his patented blend of country, blues and rock music. Haunted by a troubled childhood, Cash sings songs about death, love, treachery and sin--and shoots straight to the top of the charts. On tour, he also meets and falls for his future wife, June Carter (Reese Witherspoon), whose refusal to meddle with a married man only further fuels the fire and contributes to his eventual drug addiction. Their cat-and-mouse love story provides the film's core but unfortunately can't quite overcome Walk the Line's formulaic nature.

Acting

Biopics are generally good to actors. Phoenix and Witherspoon could easily each walk away with Oscar statuettes for turning in two of the most jaw-dropping, spellbinding performances since, well, Jamie Foxx in Ray. Neither actor had any musical background whatsoever, but they both underwent painstaking transformations for the sake of authenticity, doing all of their own singing, as well as guitar-playing for Phoenix. The actor's performance is purely raw and visceral; his vulnerability is aptly palpable at first, but then he becomes the Cash with the unflinching swagger. Witherspoon's Carter is Cash's temptress, and she'll be yours, too, by movie's end. She eerily reincarnates Carter, as if she was born to play the part. If Walk the Line is the ultimate actor's canvas, then Phoenix and Witherspoon make priceless art-and music-together.

Direction

While good for the actors, biopics can prove to be difficult for the director. It's hard to highlight a person's life without it coming off like a TV movie of the week. Unfortunately, director James Mangold (Copland) plays it safe with Walk the Line. The duets between Johnny and June on stage are about the only electrifying moments of the film. The rest is pretty stereotypical. And it isn't because the film only focuses on certain years of Cash's life. It's simply not possible to fit a lifetime into the short duration of a film. The problem, instead, is that Mangold's presentation of Cash's life would lead one to believe that Cash actually exorcised his demons. But in reality, his lifelong demons are what endeared him to the layperson. There was nothing cut and dry about the Cash story--and adding a little grit would have given Walk the Line the edge it needed.

Bottom Line

Hollywood.com rated this film 3 stars.

Copyright © CinemaSource 2006.

Movie
WALK THE LINE
Author
anonymous
Date reviewed
2006-02-02 17:01:56
Provider
MRIB
Review

Last year saw the release of the biographical film about Ray Charles, this year it's the turn of Mr Cash, and like Ray, Walk the Line is a fine, elegant tribute to a musical genius.

The film starts in one long flashback for Cash as he waits nervously to perform in front of a prison full of inmates. His young life was marred with the tragic death of his elder brother before heading to Germany for his military service. Once back in the US he formed a band and fought to get a record deal that would send them on tour with the likes of Jerry Lee Lewis, Elvis and the future object of his affections June Carter.

Despite both being in other relationships, Cash and Carter were in love, but sadly the only time they were allowed to be alone was on stage, in front of ten thousand people. As Cash's fame took it's toll, his life spiralling out of control due to drugs and his marriage falling apart, it was June who brought the singer back to life, and once there, they were finally able to enjoy the relationship they'd long yearned for.

The casting of Joaquin Phoenix as Cash, and Reese Witherspoon as his partner June Carter is inspiring as both actors give 100 per cent to the roles (although both were reluctant when they heard they'd have to sing, which they do surprisingly well) both earning best actor and actress Golden Globe awards for there efforts. Their performances are faultless, almost breathtaking and their on screen chemistry is both believable and captivating.

Based on Cash's books "Man in Black" and "Cash The Autobiography", the film was developed for seven years with the close co-operation of Cash and his wife before their deaths in 2003, and Director James Keach and Producer Cathy Konrad have paid a fitting tribute to two of America's most loved country music stars.

Quite possibly, THE film of 2006.

Copyright © MRIB 2006.



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