Wicker Man , The Review

"Wicker Man , The" reviews

Movie

Wicker Man , The

Author

anonymous

Date reviewed

2007-08-27 22:58:07

Rating

1.5/5

Provider

CinemaSource

Review

The Wicker Man is your garden-variety cult-horror remake: slow moving, if not anemic, lacking in scares, and failing to approach--and slightly sullying the name of--the original.

Story

Out patrolling a California highway, officer Edward Malus (Nicolas Cage) picks up a lost doll that will change his life forever. After returning the doll to the little girl who dropped it from her mom's station wagon, their car goes up in flames, rendering Edward hurt and unable to help them. After months of Edward trying to mentally escape the tragic scene with the aid of pills, he receives a little reprieve from his ex-fiancé, Willow (Kate Beahan), who calls for his help regarding her lost daughter. He promptly travels to the mysterious Summersisle, an island in Washington State, where Willow lives. There, life revolves around the matriarch, Sister Summersisle (Ellen Burstyn), and a ritual known as "the Day of Death and Rebirth." Edward thinks therein lay the clues to the missing little girl, but each step forward in his investigation brings him that much closer to meeting the Wicker Man.

Acting

Cage is a star, but some of his bad choices and misfortunes have kept him from being a megastar. File Wicker Man under "bad choices and misfortunes"--Cage can't win here. The man's incapable of a bad performance, but he's somewhat miscast as a haunted California policeman--that description immediately doesn't fit the actor and calls to mind someone else--and the film's overall incoherence buries him in the end, more so than the rest of the cast. As for those supporters, Burstyn predictably fares best, though she's not immune to the bevy of ridiculous images the film serves up. As Cage's beleaguered ex-fiancé, Beahan (Flightplan), too, isn't bad, but she doesn't always look the part of a pagan-like village woman, even though her character had previously ventured into the real world. And turns--or more like cameos--from Frances Conroy (HBO's Six Feet Under) and Leelee Sobieski (Joy Ride) misfire horrendously.

Direction

Wicker Man is a remake of the 1973 (borderline) cult classic of the same name, automatically giving off stenches of "unnecessary" and "pedestrian," but director Neil LaBute (Nurse Betty, In the Company of Men) mostly fails to live up to even those expectations. LaBute, highly talented and often keen on much more offbeat projects, apparently tried for a mixture of Hitchcock mystery and Witness-like intrigue, but his modern update doesn't add up. The suspense just isn't there and in place of what should've been darker, more fitting explorations of the village--such as forbidden-fruit sexual undertones and opportunities for genuine horror moments, some of which are possible during the daytime, by the way--are by-the-book PG-13 elements. Towards the end, LaBute's script (which he co-wrote)--and movie--unravels as Cage goes all Steven Seagal on us, even karate-kicking women! Also, the film looks gorgeous, but Summersisle often appears more like a pristine getaway than a haunted village.

Bottom Line

Hollywood.com rated this film 1 1/2 stars.

Copyright © CinemaSource 2007.

Movie

The Wicker Man

Author

anonymous

Date reviewed

2006-08-25 15:00:32

Provider

MRIB

Review

One of the great cult horror movies of all time, Wicker Man was originally made in 1973 and remains a remarkable and original movie. It also comes with the kind of devoted fanbase that has reacted with (ahem) horror to the very idea of a remake, let alone an American one casting action hero Nicolas Cage in Edward Woodward's role of the virginal puritan policeman lured to a Scottish island inhabited by nymphomaniac pagans.

Cage is Edward Malus, who travels to Summersisle to investigate the disappearance of his former girlfriend's, Willow (Kate Beehan), child. So already the script has changed, with the leading character being no stranger to sex. Inevitably there are other significant alterations - not least the

absence of nude scenes engendered by the PG-13 rating - though most speculation will centre round whether the producers have maintained the spectacular and unforgettable ending.

No spoilers here! Anyway, director LaBute does a reasonable job of cooking up the horror, but the remake lacks the sense of a parallel world that billowed off the British original. Cage is sadly over the top - too many action roles Nic? - though casting Ellen Burstyn in the Christopher Lee role as the head of the pagan community is an inventive touch, one which lends the island interesting social overtones as a warped feminist outpost. The Wicker Man won't live long in the memory like its predecessor, but as a remake of a cult classic...well, there have been worse.

Copyright © MRIB 2006.