When a pair of Miami art collectors bought a pied-à-terre on the 53rd floor of a Manhattan skyscraper, they wanted a home where they could reside among their works—including pieces by Andy Warhol, Salvador Dalí, and Alex Katz—without feeling as though they were inhabiting a museum. They turned to ELLE DECOR A-List Titan Kelly Behun to fashion comfortable interiors around their striking collection.
“Art, for me, lives in its own lane, and that is not about decorating,” says Behun, who never puts an artwork in the service of a design scheme. This approach made her an ideal collaborator for the collectors, who called their placement of works “a labor of love.” A case in point was a large-scale abstract canvas by Angel Otero that layers hard-edge shapes with organic foliage. The piece migrated to different spots in the great room before settling in visual conversation over a sculptural brass console by Vikram Goyal.
Known for her warm modernism, Behun in turn found the perfect client in the owner, who, like the designer, is from Pittsburgh. “She’s decisive, she’s adventurous, she has strong opinions about things,” Behun says. “But she’s not unwilling to consider other ways of thinking.”
The collectors—who make frequent trips to New York to visit their two adult children—bought their 57th Street aerie in the new supertall Steinway Tower, designed by SHoP Architects and connected to the landmark Steinway Hall. “You walk in and that view is spectacular,” the client says. The great room overlooks Central Park, while windows in the kitchen and bedrooms face downtown. “Everything else is kind of a backdrop,” the client says.
The first time she entered the apartment, she instinctively knew where to hang certain works. A Charles Gaines piece—an acrylic box encasing a gridded image of an autumnal tree, from his “Central Park” series—would go to the left of the great room’s panoramic windows. She also knew the central entry hall would be perfect for one of El Anatsui’s monumental tapestries stitched together from discarded metal bottle caps—and she hunted until she found just the right one. It now faces a small surreal portrait by Dalí of a woman encircled by a halo of clouds.
In an apartment designed by Kelly Behun in New York City’s Steinway Tower, the sectional is custom, the chair and footrest are by the Campana Brothers, and the cocktail table is by Vincenzo De Cotiis. The chandelier is by Hélène de Saint Lager, the floor lamp by Rogan Gregory, and the artwork by Charles Gaines.
A Nick Cave Soundsuit sculpture stands in the great room by a custom wet bar in oak and Cristallo quartzite. The stool is by Maxime Boutillier, vase by Alice Gavalet, and custom hand-painted wallcovering by Porter Teleo.
The tapestry is by El Anatsui, and the ceramic bowl is by Adrienne Fierman. The console is by Benoit Viaene, the Francesco Decio benches are from the Future Perfect, and the pendants are by the Urban Electric Co.
In the kitchen, custom plaster pendants hang above an island designed by Studio Sofield. The fittings are by Kallista, the stools by Mod Shop, and the sculpture by Jasmin Anoschkin.
The artwork is by André Butzer and the wallcovering by Holly Hunt. The side table is by John Pomp, and the Jared Last vase is from Culture Object.
Four portraits of Man Ray by Andy Warhol hang on the custom walnut paneling. The custom sofa is by Dmitriy & Co., and the vintage armchairs are by Flemming Lassen (by window) and Jindrich Halabala in a Clarence House fabric (foreground). The cocktail table is by Matt Castilleja, the side table is by Vince Skelly, the Christopher Baker pendant is from Dobrinka Salzman, and the Moroccan rug is custom.
The oak and brass custom wall unit has niches displaying ceramics by Ai Weiwei (left) and Jeremy Anderson. Vintage tapestry on the bed is by Edna Martin, the silk wallcovering by Aesthetics, and the artwork by Alex Katz.
Studio Sofield specified veined white onyx walls and floors in the primary bathroom. The custom soaking tub is by William Holland, the Janny Baek glass flower vase (on rug) and the Morgan Persson vase (on sill) are both from Culture Object. The vintage Claude Bleynie tapestry on the floor is from FJ Hakimian.
In the guest bedroom, the sculptural stool is by Aaron Poritz. The chandelier is by BlueprThint Lighting, the custom bench is in a Cowtan & Tout fabric, the silk wallcovering is by Scalamandré, and the artwork is by Charles Gaines.
Kelly Behun, in an Etro dress and Gucci shoes, stands in front of an artwork by Angel Otero in the great room. The brass console is by Vikram Goyal and the custom rug by the Rug Company.
For the rest, the owner turned to Behun, who proposed a soft, neutral palette with lots of metallic touches and a mix of collectible and custom furniture designs. In the great room, a shimmery leafed-metal cloud chandelier by Hélène de Saint Lager is in lovely dialogue with the real clouds visible through the massive glass window that overlooks the park. Below the light is a biomorphic cocktail table by Vincenzo De Cotiis in veined marble and white bronze. “It’s almost like a puddle underneath a rain cloud, with swirly colors and reflections,” Behun says of the arrangement.
The space also has a wraparound sofa where the owners like to lounge and watch television, when they are not gazing at passing planes and the dramatic vista out-side. Behun could have planted a dining table in the room, but the clients are more the type to have friends over for drinks and then head out to one of the city’s great restaurants. So instead, she designed a curvaceous wet bar in white quartzite hand-painted with gold leaf. And of course there is world-class art, including a towering Nick Cave Soundsuit sculpture and, on the windowsill, a ceramic head by Simone Leigh.
In the kitchen, echoing the white island by Studio Sofield—which designed interior finishes throughout the building—Behun added a quartz bar as an informal place to eat. She topped it with a ceramic piece by Jasmin Anoschkin, its creaturelike silhouette contrasting with the midtown skyline. Another whimsical touch appears in the guest bedroom, where Aaron Poritz’s stool-cum-sculpture—it resembles a giant four-fingered hand—seems to be waving in front of a window over-looking the neighboring towers. It’s one of many inviting seats in the apartment, from the great room’s fur chair by the Campana Brothers (“It’s such a hug,” Behun enthuses) to Pierre Yovanovitch’s Papa Bear armchair in the primary bedroom. “Every morning I can’t decide where I want to sit and have coffee because it’s so nice in every room,” the owner says. “I’m so happy to be here.”
This story originally appeared in the March 2024 issue of ELLE DECOR. SUBSCRIBE
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