While Margot Robbie has received two nominations in the same category, it's been noted actors of colour have been overlooked completely.
Honey Boy director Alma Har’el is now calling for awards shows to introduce separate categories for female filmmakers.
The show's divisive final series failed to rack up more than one nod at the upcoming ceremony, despite breaking records at the Emmys.
In pole position for this year’s prize is ‘La La Land’, a film arriving as much-needed respite following the many shocks, horrors and uncertainties of 2016. ‘La La Land’ is a mug of hot chocolate after getting caught in a sleet storm. It’s a sincere homage to a bygone Hollywood era, and so there are certainly similarities to be drawn with another Oscar-winner – ‘The Artist’, but none favour the 2012 Best Picture winner. What undoes Michel Hazanavicius’ well-meaning ode to silent movies is its knowing winks, and a single line of illusion-cracking dialogue. ‘La La Land’ by contrast is a wholehearted and true resurrection of a long-forgotten form which pays tribute in all the right ways, but is contemporary also, making the genre work for modern audiences but never trampling its legacy.
Dave Jones and Hayley Squires in ‘I, Daniel Blake’, Eddie Redmayne in ‘Fantastic Beasts and Where To Find Them’ and Viggo Mortensen in ‘Captain Fantastic’. This year’s BAFTA Film Award nomiantions have been announced and it’s packed with the big awards season contenders, including ‘Moonlight’, ‘Manchester By The Sea’ and, of course, the seemingly-unstoppable ‘La La Land’. BAFTA has always and will always, understandably, favour British films, so ‘I, Daniel Blake’ isn’t exactly a huge surprise.