Stanley Kubrick's right-hand man Leon Vitali explains how they executed the classic "elevator of blood" moment in 'The Shining' — and why the legendary director refused to be on set during the filming of the scene.
"There is an unbelievable disparity in the world that needs to be addressed."
Matt Groening, creator of The Simpsons and Futurama, goes back in time with Disenchantment.
Great stories come from times of conflict, confusion and fits of emotion, so it’s no surprise that movies about young people finding their way through life are so timelessly endearing.
In pole position for this year’s prize is ‘La La Land’, a film arriving as much-needed respite following the many shocks, horrors and uncertainties of 2016. ‘La La Land’ is a mug of hot chocolate after getting caught in a sleet storm. It’s a sincere homage to a bygone Hollywood era, and so there are certainly similarities to be drawn with another Oscar-winner – ‘The Artist’, but none favour the 2012 Best Picture winner. What undoes Michel Hazanavicius’ well-meaning ode to silent movies is its knowing winks, and a single line of illusion-cracking dialogue. ‘La La Land’ by contrast is a wholehearted and true resurrection of a long-forgotten form which pays tribute in all the right ways, but is contemporary also, making the genre work for modern audiences but never trampling its legacy.
Before becoming the leader of the free world, Donald J. Trump was an eccentric and slightly bizarre c-list celebrity, with the odd movie appearance under his belt.
The Royal Family’s relationship with the media is a complicated one, guarded at best and deeply suspicious at worst. Called simply ‘Royal Family’, the fly-on-the-wall doc, directed by the then-head of the BBC’s documentary department Richard Cawston, it aired on June 21, 1969, was repeated one week later on ITV and then variously that year, before being locked away deep in the BBC vaults and never shown again. It represented the first time that TV cameras had been given permission to document the Royals going about their daily business in such a manner, with the Queen, the Duke of Edinburgh, Prince Charles, Princess Anne, Prince Andrew and Prince Edward all featuring, and a voiceover penned by 'Yes Minister’ mastermind Sir Antony Jay.
It’s been over a decade since Sabrina The Teenage Witch wound up its final series (and 20 years since it started, way back in 1996). Based on the Archie comic book series, it centred around Melissa Joan Hart’s sparky sorceress, her aunts Hilda and Zelda and talking cat Salem. The show ran for seven seasons, attracting audiences of up to 12 million in the US in its heyday. But what are its stars doing now?
To say the finale of The Brittas Empire felt like a bit of a cop-out is to understate the matter somewhat. Original writers Andrew Norriss and Richard Fegen left after five series, but it carried on for a further two, winding up with the insane episode ‘The Curse of the Tiger Women’. After leisure centre manager Gordon Brittas (Chris Barrie) is cursed by a gypsy, things get apocalyptic when people start dying after eating his food.