With some minor spoilers about the first episode of S8, here's what went down at last night's 'Game of Thrones' premiere.
Screenwriter Michael Green talks exclusively to Yahoo Movies about Murder on the Orient Express, its sequel and remediating Agatha Christie's bigoted writing.
Great stories come from times of conflict, confusion and fits of emotion, so it’s no surprise that movies about young people finding their way through life are so timelessly endearing.
2016 was an eventful year for comic book movies, with an array of successes, disappointments, and downright disasters. ‘Deadpool’ was one 2016’s success stories. While the first film’s writers Rhett Reese and Paul Wernick were talking to Comicbook.com about their new sci-fi-horror ‘Life’, the pair commented on how ‘Deadpool 2’ would be cast imminently.
‘Avatar 2’ was originally set to arrive in cinemas in December 2014. It’s March 2017 now, and director James Cameron has revealed the film has been delayed yet again, and will no longer meet its planned 2018 release date. Cameron took his time with ‘Avatar’, which was released twelve years after his previous feature film ‘Titanic’, and given they’re the two highest-grossing films of all time it makes sense that he’d be given time to develop a sequel. Not just one sequel either, four, in what is sure to be one of the most expensive film productions in history if the films are indeed set to release in quick succession and be shot back-to-back.
In pole position for this year’s prize is ‘La La Land’, a film arriving as much-needed respite following the many shocks, horrors and uncertainties of 2016. ‘La La Land’ is a mug of hot chocolate after getting caught in a sleet storm. It’s a sincere homage to a bygone Hollywood era, and so there are certainly similarities to be drawn with another Oscar-winner – ‘The Artist’, but none favour the 2012 Best Picture winner. What undoes Michel Hazanavicius’ well-meaning ode to silent movies is its knowing winks, and a single line of illusion-cracking dialogue. ‘La La Land’ by contrast is a wholehearted and true resurrection of a long-forgotten form which pays tribute in all the right ways, but is contemporary also, making the genre work for modern audiences but never trampling its legacy.