• ‘Little Mermaid’ Live Musical: Auli’i Cravalho, Shaggy & Hamish Hamilton Go Under The Sea To Describe ABC’s “Interesting Hybrid” – TCA
    Movies
    Deadline

    ‘Little Mermaid’ Live Musical: Auli’i Cravalho, Shaggy & Hamish Hamilton Go Under The Sea To Describe ABC’s “Interesting Hybrid” – TCA

    Director Hamish Hamilton and stars Auli’i Cravalho and Shaggy have gone under the sea to explain how ABC’s upcoming The Little Mermaid live special will translate to screens. Hamilton, who also is an exec producer, revealed that it will be half-live musical and half-original animated feature – an “interesting hybrid.” He said that people will […]

  • 'Back To The Future' musical to premiere in Manchester next year
    Movies
    PA Movies

    'Back To The Future' musical to premiere in Manchester next year

    The musical version of the film has been in the works for six years, its producer said.

  • This 'Grease' pop-up will let you watch the musical in Frenchy’s bedroom
    Movies
    Yahoo Movies UK

    This 'Grease' pop-up will let you watch the musical in Frenchy’s bedroom

    Slumber party guests will be able to take their pick from a Grease inspired prop box, get comfy on Frenchy’s patchwork bedspread, and settle down to watch the film

  • La La Land is the joyous, vibrant film we need in 2017
    Movies
    Ben Skipper

    La La Land is the joyous, vibrant film we need in 2017

    In pole position for this year’s prize is ‘La La Land’, a film arriving as much-needed respite following the many shocks, horrors and uncertainties of 2016. ‘La La Land’ is a mug of hot chocolate after getting caught in a sleet storm. It’s a sincere homage to a bygone Hollywood era, and so there are certainly similarities to be drawn with another Oscar-winner – ‘The Artist’, but none favour the 2012 Best Picture winner. What undoes Michel Hazanavicius’ well-meaning ode to silent movies is its knowing winks, and a single line of illusion-cracking dialogue. ‘La La Land’ by contrast is a wholehearted and true resurrection of a long-forgotten form which pays tribute in all the right ways, but is contemporary also, making the genre work for modern audiences but never trampling its legacy.