The new series from The CW and Netflix has the heart of the Arrowverse but the attitude of 'Luke Cage'.
The reviews for 'Justice League' are beginning to drop, and broadly, it sounds like it's not great news for the DC Extended Universe.
With Netflix refusing to be a part of "House of Cards" if it involves Kevin Spacey, critic-at-large Ken Tucker imagines how the show might go on without him.
The review embargo has lifted for the long-awaited adaptation of Stephen King's 'The Dark Tower' and it's not looking pretty.
Sony won the rights to the animated movie after a competitive bidding war against Paramount and Warner Bros. in 2015 and brought in several recognizable stars to play the various characters in the film, most notably Patrick Stewart as a poop emoji.
Reviews are still embargoed, but some critics shown early screenings of Christopher Nolan's war movie 'Dunkirk' have gone as far as to hail it as 'a classic'.
From "Pixels" to "Kirk Cameron's Saving Christmas" and more, here are the worst stinkers critics have had to endure throughout their careers.
An inauspicious start lies ahead for Universal's new franchise – with dreadful box office predictions and equally dreadful reviews coming in for 'The Mummy'.
All-over-the-map reactions for Paul Feig's Ghostbusters in 2016 are not too far removed from the kind of write-ups that greeted Ivan Reitman’s original version when it arrived in theaters back in 1984.
Julia Roberts and Jennifer Aniston in ‘Mother’s Day’ (Ron Batzdorff /Open Road Films via AP) To say that some of the reviews for Mother’s Day are negative is like saying Game of Thrones contains mildly suggestive material: It is an understatement of the highest order. The latest Garry Marshall-directed ensemble rom-com that centers around a universally celebrated, secular holiday has been completely annihilated by critics. Here’s a sampling of some of the harshest things that have been written so far about a movie in which Julia Roberts is inexplicably forced to adopt a hair style worse than the Saturday Night Live’s Target Lady’s. Jon Frosch, The Hollywood Reporter: “Even if you haven’t seen Garry Marshall’s last two holiday-pegged efforts — Valentine’s Day and New Year’s Eve, with their generous smattering of stars, sub-sitcom one-liners and shameless heartstring yanking — it won’t take long to figure out what kind of movie Mother’s Day is. Mother’s Day is bad from the start, and it doesn’t get better.” David Ehrlich, Indiewire: “Lifeless, ugly, and vaguely evil in its gross attempt to offer something for everyone, Mother’s Day doesn’t feel like a movie so much as it does a cinematic adaptation of Walmart.” Moira MacDonald, Seattle Times: “Motherhood, let no one disagree, is hard work.