Cinemas have reopened in the UK, but it's not just at the cinema where new movies are being released right now.
But even with more spare time than ever before, you will want to know that the movie you're spending your time on is worth it. So which one of the new releases should you choose to settle down to?
Here's our handy round-up of reviews for the biggest releases out now.
Films out October 1-31
Relic (out October 30 in cinemas and on digital)
Writer/director Natalie Erika James's feature debut is set to be one of the most-talked about horror movies of the year and for good reason. Relic is not just one of the most terrifying horrors of the year, it's also one of 2020's best movies.
Pixie (out October 23 in cinemas)
If you're after some escapist fun in cinemas, Pixie could prove to be just the ticket with its throwback to the knockabout gangster comedies of the late '90s and early 2000s.
Olivia Cooke stars as the titular character who wants to avenge her mother's death by carrying out a heist against the people she believes are responsible. However, her plans are thrown into disarray when two local lads, Frank (Ben Hardy) and Harland (Daryl McCormack), inadvertently get involved and the trio soon find themselves on the run from gangsters in the wild Irish countryside.
While there's nothing particularly new about Pixie and some of the humour feels dated at times, the central performances keep the movie afloat and engaging, especially Cooke's turn as the enigmatic Pixie. The breezy script keeps the trio moving and the twists coming rapidly, with a unique shoot-out in a church (involving deadly gangster priests) a highlight.
Rebecca (out October 21 on Netflix)
Rebecca isn't wholly successful in balancing the various genres that du Maurier's tale explores, but you certainly can't accuse Wheatley of playing it safe.
What's more, one thing his take on Rebecca is absolutely not is a remake of Alfred Hitchcock's Oscar-winning 1940 version.
Saint Maud (out now in cinemas)
Saint Maud might not be an all-out scarefest, but it's the kind of horror that seeps into your consciousness and remains there, whether you want it to or not.
Kajillionaire (out now in cinemas)
If any single thing had been different, it's very likely the movie wouldn't have been good; Kajillionaire could have been too bizarre, too slapstick, too self-aware. Instead, we get a desperate, just-weird-enough, beautiful film.
Scare Me (out now on Shudder)
Part of the Shudder's 61 days of Halloween season, Scare Me has arrived as an early Halloween treat with its playful, inventive and very meta tale of two people trying to freak each other out during a power outage.
Enola Holmes (Netflix)
As origin stories go, Enola Holmes at least does the job of making you want to see where those future movies could go, even if the mystery chosen for the first outing is both overstuffed and not that interesting.
It's Millie Bobby Brown that makes Enola Holmes work despite the movie's flaws, and we just hope that the next Holmes outing will be worthy of her talent.
The Devil All the Time (Netflix)
If you aren't of a mind to enjoy a good Greek tragedy, you'll still find the film compelling. The Devil All The Time may not be full of high-speed twists and turns the way you'd expect, but if you stick with the lax pace, the slow-burn reveals are worth the wait.
The Broken Hearts Gallery (cinemas)
Executive produced by Selena Gomez, The Broken Hearts Gallery will be hoping that cinemagoers are looking for something lighter than Tenet, and fans of rom-coms will find plenty to enjoy.
After being dumped by Max (Utkarsh Ambudkar), emotional hoarder Lucy (Geraldine Viswanathan) is inspired to do something with the souvenirs she's kept from all of her relationships. Lucy creates The Broken Heart Gallery in a hotel being renovated by Nick (Dacre Montgomery) and as word spreads of the pop-up space, Lucy discovers there might be a fresh start in love for her too.
The Broken Hearts Gallery is predictable, but no more so than your typical rom-com, and its strength lies in its cast. Geraldine Viswanathan has impressed in the likes of Blockers and continues her impressive rise here with a terrific lead role, enjoying nice chemistry with Dacre Montgomery in a role a world away from Billy in Stranger Things.
At its best, The Broken Hearts Gallery is sweet, progressive and funny, especially thanks to winning turns from Hamilton's Phillipa Soo and Molly Gordon as Lucy's long-suffering friends. The problem is that given you know where the story is going, it's overlong at 110 minutes and often drags. Had it focused solely on Lucy and Nick's relationship, it could have been a rom-com winner.
And we can say unequivocally that Mulan is not only the best Disney remake yet but perhaps better than the original. A bold statement, but one we stand by.
What makes Mulan so special is, as was promised, the way it hews closer to the original Ballad of Mulan than the Disney original did, and the themes it chooses to explore in a more obvious way. There is no room for manoeuvring: Mulan is a feminist story both subtly and overtly.
On first watch though, Tenet likely would have benefited from some breathing space. It does truly put you in the shoes of the Protagonist, learning the world as he goes along, but it can be all a bit overwhelming for the viewer.
The result is that as impressive as the craftsmanship and originality of Tenet is, other aspects of the movie prove to be frustrating. It's still a great movie and a true big-screen experience, but it does stop it reaching the heights of Nolan's best work.
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