Coverage of the 84th Annual Academy Awards

YOUR FRIENDS' ACTIVITY

    Films that tried too hard to win an Oscar

    Movies that ticked all the right boxes, but still lost out on awards glory

    As a general rule of thumb, the films that usually win Oscars are biopics, films about war, films with troubled children, disabled adults or anything that takes a nostalgic look at early cinema.

    On the flipside, anything that’s popular with audiences and/or made a lot of money at the box office stands about as much chance of winning as Kate Winslet getting through an acceptance speech without blubbing hysterically.

    [Related feature: The biggest Oscar scandals]
    [Related feature: The Artist favourite to win big]

    But not every movie that has ticked all the right boxes makes the grade, in fact the annals of Oscar history are littered with discarded flicks that should have been a shoo-in for glory but still missed out. The films that tried perhaps a bit too hard to win awards...

    Glum... Leo on nominations day (Credit: Warner Bros.)And the Oscar doesn’t go to… J.Edgar (2012)
    This year’s try-hard comes in the form of Clint Eastwood’s much-fancied biopic of the controversial FBI director J. Edgar Hoover.

    Everyone thought the statuettes were imminent when the stellar cast and sweeping historical subject matter were announced, whilst the early buzz seemed to set Leonardo DiCaprio on course for Oscars glory.

    So what went wrong? Well people watched it, and most of them didn’t like it. In fact ‘J.Edgar’ was derided by critics. The Academy followed suit.

    And the Oscar doesn’t go to… Invictus (2009)
    ‘J.Edgar’ wasn’t the first time that one of Clint’s films has been snubbed. Back in 2009 ‘Invictus’, his biographical sports drama of apartheid Africa, seemed tailor-made for awards recognition. It even had Morgan Freeman playing Nelson Mandela!

    But it wasn’t to be. Whilst its leading men received nods in their respective acting categories, the film and its director were snubbed. Clint took it all in his stride however, telling reporters: “I've been around a long time and probably they should give somebody else a look."

    Spitting image... Matt Damon as Francois Pienaar in Invictus (Credit: Warner Bros.)

    And the Oscar doesn’t go to… Frost/Nixon (2008)

    Take one historical biopic about a much-reviled American President. Throw in some excellent work behind the cameras by an Academy favourite director, and some truly convincing performances in front of them by two respected thesps. Et voila... you have a recipe for Oscar success.

    Or so it seemed when ‘Frost/Nixon’ scooped five nominations including Best Picture, Best Actor and Best Director. However, it went on to win precisely nothing after Danny Boyle’s unstoppable ‘Slumdog Millionaire’ nabbed the big prizes instead.

    [Related feature: The worst Oscar acceptance speeches]
    [Related feature: The biggest Oscar shocks]


    And the Oscar doesn’t go to… Memoirs Of A Geisha (2005)
    ‘Memoirs Of A Geisha’ is the perfect example of the kind of ‘look at me’ fare that invades cinemas around Oscar season; a film that serves no other purpose than to catch the wandering eye of the Academy members.

    From the Oscar-snubbed director of ‘Chicago’, ‘Memoirs Of A Geisha’ was supposed to be the film that finally won Rob Marshall the award he failed to land in 2003. It didn’t. Instead, it was slated by many critics and whilst it landed a respectable six Oscar nods, winning three, all were in the technical categories that are handed out when the important people need to pop to the loo.

    Memoirs of a loser... Geisha flick (Credit: REX)

    And the Oscar doesn’t go to… The Soloist (2009)
    If you watched Joe Wright’s heart-rending true story about a homeless schizophrenic musical prodigy and thought it all looked kind of familiar, then you’d be right. The film is basically a remake of the 1997 Oscar winner ‘Shine’, only this time they’ve replaced the piano with the cello and an Academy award-winning cast with Robert Downey Jr. and Jamie Foxx.

    The end result was one of the most cynical set-ups for awards recognition in recent history and one that critics and audience members alike saw right through. In fact the early buzz was so poor that the studio decided to put the film’s release date back by five months, effectively pulling it from the Oscar race.

    And the Oscar doesn’t go to… I Am Sam (2001)
    It may sound cynical, but more often than not if an able-minded, able-bodied actor can convince Hollywood that they’re disabled, then they might as well start clearing an Oscar-sized space on their mantelpiece. Just look at Dustin Hoffman in ‘Rain Man’, Tom Hanks in ‘Forrest Gump’ and Leonardo DiCaprio in ‘What’s Eating Gilbert Grape’.

    And so when Sean Penn picked up his third Oscar nod for playing the mentally handicapped father in Jessie Nelson’s much-fancied 2001 drama ‘I Am Sam’, the studio must have thought that it would open the floodgates for a slew of shiny things. It didn’t. The acting gong was the only nod the film received and it's since gone down in cinema history as one of the most insipid examples of the Hollywood message movie.

    And the Oscar doesn’t go to… Frida (2002)
    From Oscar factory Miramax came this outrageous example of Oscar-baiting. Surely the only reason this worthy biopic of obscure Mexican surrealist painter Frida Kahlo was greenlit was so star Salma Hayek could try and pursuade the Academy to give her an Oscar with the help of a uni-brow.

    Thankfully, despite six noms,'Frida' was overlooked in the major categories and given a Best Make-up shaped wooden spoon instead.

    Can you think of any other films that seemed a little too tailor-made to win awards? Let us know in the comments section below...

     
    • Dean  •  London, England  •  3 months ago
      The problem is when Hollywood tries to get preachy. I am Sam is a good example. They try and come up with 'Worthy' causes, things which they can use to take the moral highground. It is contrived. There wasn't a story about a handicapped person that was waiting to be told, they just hoped that if they used a handicapped character for the film it would appear 'Worthy'. It's like in Tropic Thunder where they are debating about why tug didn't get an Oscar for simple Jack. He 'expected' to because the story was about a mentally handicapped person, and that should win right? Because you HAVE to feel sorry for the handicapped.....
      • TheAristocrat 3 months ago
        Americans are suckers for stories like that.
      • Wally 3 months ago
        I can't believe moral and Hollywood can go together.
      • DZ 3 months ago
        Never go full #$%$
    • MICHAEL  •  Manchester, England  •  3 months ago
      And what happened to Cowboys and Aliens ? Oscar snobbery.
    • Colin  •  Paisley, Scotland  •  3 months ago
      Judging by the comments, I think that most people realise that just because something has won an Oscar doesn't mean it's a great film, and that just because something failed to get nominated doesn't mean it's a bad film.

      I watched The Blind Side a few weeks ago- it was an enjoyable film and Sandra Bullock was good in it, but I thought that for her to get an Oscar suggested that it was a pretty 'lean' year for female roles. However, that's just my opinion- I can't remember who else was nominated.
      • A Yahoo! User 2 months ago
        IMO, Helen Mirren should have won for The Last Station or Gabourey Sidibe for Precious, both were better than Sandra Bullock.
    • Andrew  •  3 months ago
      When talking about I am sam.....they spoke about other actors performing with disabilities but missed out the best. How could you not mention daniel day lewis in my left foot?
      • Dave 3 months ago
        Because the Americans don't realise it exists, possibly. If you look at the comment, it is paraphrasing Robert Downey Jr's speech in Tropic Thunder (which also failed to mention My Left Foot)
      • Anouk 3 months ago
        Actually, Americans do realize it exists, this just happens to be a list of films and actors that DIDN'T win oscars, whereas Daniel Day-Lewis won the best actor academy award for his portrayal of Christy Brown. Just sayin'.
      • battling b 3 months ago
        Did you read the article. They DID mention actors who won. Dustin Hoffman for Rainman and Tom Hanks for Forrest Gump
    • JT  •  3 months ago
      The Oscars have gotten things wrong many times. Samuel L Jackson should have won for Pulp Fiction, Saving Private Ryan was beat by Shakespeare in Love for best picture, which also gave Judi Dench a gong for 8 minutes of screen time. Wrong, Wrong, Wrong!
    • walter  •  Brighton, England  •  3 months ago
      I observe that many films panned/rejected by critics and Oscar nominators are actually very entertaining - and visa versa. For example, I found Invictus both entertaining and inspirational. So I don't "get" what the critics etc. are looking for - certainly the total earnings of a film seems to reflect the public's opinion rather than that of the paid critics
    • spreaddapoo  •  Johannesburg, South Africa  •  2 months ago
      This is a wonderful example of "art" critics' snobbery. So what? Those films didn't get the oh-so "prestigious" Awards - it doesn't make it any more or less of a film. Some of the best films in cinema history failed to be recognised or appreciated by the judges, and since the whole judgement showdown falls in human opinion and criticism, the whole system is fallible.

      I don't take to the supposed idea that these films' purpose was to grab a few awards. It's completely degrading to the actors and filmmakers, who have done an extraordinary job - (Memoirs of a Geisha does NOT deserve a "Memoirs of a Loser" footnote. Are you attempting to say that the technical aspects of a film aren't an integral role in filmmaking? If so, I suggest you revise your first-year Film-College notes, unless of course you're writing from complete inexperience and ignorance.)

      Sure, there are elements that appeal to the judges, but (to put it in simpleton's words) just because Jack likes red, it doesn't mean that every red object was designed to suit Jack.
    • Charlotte  •  York, England  •  3 months ago
      I think it's a bit weird that Frida Kahlo is described as 'obscure', because she's really not.
    • Steven  •  Gateshead, England  •  3 months ago
      The winner of the best film, I've found is the one to avoid at the movie theater, far better too wait for the extended DVD box set.
    • kelli  •  3 months ago
      Sean Penn.......ok-ish actor, needs to keep his trap shut about the Falklands (I KNOW it's off topic!). Apparently, the new Tom Hanks fil is trying a bit too hard (post 9/11) & trying to tug on the heartstrings a bit too hard. No doubt our American "cousins" will love it & continue to whoop & wave their flag.
    • Joseph M  •  Renfrew, Scotland  •  3 months ago
      Don't forget Incredibly Loud And Close. A cold, calculated use of 9/11 to garner academy votes. Tom Hanks would sell his granny for an Oscar.
    • stacie  •  Sheffield, England  •  3 months ago
      well i really liked Memoirs Of A Geisha
    • The Important One  •  Brighton, England  •  3 months ago
      The Artist is another Oscar bait, I seen silent movies like this many times.
      • John V 3 months ago
        You SAW silent movies.......
      • Berry 3 months ago
        But have you seen a silent movie like this that has been made recently?
    • Cheryl  •  3 months ago
      talking of injustices at the oscars..2002 -. The year That Johnny Depp was nominated for his innovative characterisation of Jack Sparrow in disneys Pirates of the Caribbean..the movie grossed more at the box office than other 4 best actor nominated films takings all added together... yet he was snubbed in favour of Sean Penn...but then he never did play goodie twoshoes and stick to their ideals..

      The public vote at the box office...thats how they should decide who wins.
    • Chancery  •  London, England  •  3 months ago
      Frida Kahlo is only "obscure" to an ignoramus. She is very famous to anyone who knows even a smattering about art. Please keep your ignorance in your own camp, thanks.
    • Stefan  •  Lancing, England  •  3 months ago
      To say popular films deserve oscars is like saying McDonalds derserves 5 stars in Egon Ronays guide to restaurants, and anything with freshly caught seafood and fresh vegetables deserves 1. Sorry, but a lot of people only want easy entertainment dished out to them.
    • Duc de Richleau  •  3 months ago
      In 1982 ET ought to have won the Oscar for best picture. Millions went to see it, it broke all box office records at the time, it was hugely enjoyable and people loved it - and still do.
      The Oscar went to Gandhi, a longwinded, pretentious bore of a film by a longwinded pretentious bore of a director, Richard Attenborough. The cinematic snobs thought it wasn't cool to vote for ET.
    • Henry  •  London, England  •  3 months ago
      Memoirs of a Geisha and Frost/Nixon were good films?????
    • newton  •  Berlin, Germany  •  3 months ago
      Memoirs of a Geisha is certainly a good decent film. However, there are few little details which confuse me. The plot takes place in Japan. The leading actresses Zhang Ziyi and Michelle Yeoh are Chinese (in this film, they obviously play Japanese characters). And 99% of all actors and actresses speak English. If I was the director, I would haved forced everyone (including Zhang Ziyi and Michelle Yeoh) to speak Japanese.
    • luke  •  Bratislava, Slovakia  •  3 months ago
      I seem to remember Thin Red Line and Saving Private Ryan battling it out. SPR was the victor if only for the unforgettable opening scene, but I'm more of a TRL fan myself.